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This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.
This film is about the francization of Québec that has taken place since the Parti Québécois won power from the Liberals in 1976. It shows how the once powerful anglophone community is now questioning its very survival. It discusses some of the motivating forces behind Québécois nationalism. The film concludes by asking if the Canadian nation can survive if neither of its major language groups is welcome in the territory of the other.
In this feature-length documentary, six teenage girls, aged 14 to 16, agree to open up and have their private worlds invaded by the camera. They have to face problems that they intend to take on "to the end": early experience of sexuality, belonging to a gang, relationships with parents, social tolerance, friendship... They live tender and pure lives in their own way.
Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.
Ma traversée is a personal quest, filmed over 20 years, recounting the racial issues and privileges that have punctuated the filmmaker’s life in three French-speaking societies: Guadeloupe, France and Quebec. From her own story emerges the broader narrative of colonization, colorism, assimilation, integration and the social benefits of “race” and their impact even today. Brutalized by police officers in Montreal in December 2017 in front of witnesses, the filmmaker takes a step back to understand this gesture, which speaks to the social interpretation of skin color.
Six Scouts and Guides from France are heading to Togo, where they are joining forces with Togolese scouts to build a classroom. This documentary captures their human adventure and the cultural exchange that emerges at the heart of this solidarity project. Through the challenges of construction, a story of friendship, cooperation, and discovery unfolds between young people from two continents.
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Once one of the most densely populated neighborhoods in the country, Griffintown (in the heart of Montreal) is now dotted with vacant lots and uninhabited areas. But just around the bend, at the end of a dirt alley, the sun still rises over the Horse Palace. Leo Leonard, its owner, stands alone, fragile, like the place that embodies his whole life. At 83, Leo, the last representative of the Irish community that founded the neighborhood, must resign himself to leaving the premises.
Where did everyone go who had something to say? Alongside Serge Fiori, eleven indigenous artists cover the iconic song in their own language and prepare to perform it live.
The testimonies of the Mashteuiatsh Puakuteu women's committee punctuate this intimate short film about mourning and healing. Throughout the doll-making workshops, the women share their doubts and hopes and build a space filled with strength and solidarity.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
A meek bank clerk who oversees the shipments of bullion joins with an eccentric neighbor to steal gold bars and smuggle them out of the country.
During a family dinner, Marine, a young women firefighter and pyromaniac, and Simon, her brother who's suffering from depression, see each other again after a very long time. Hurt and scarred by a shared familial trauma, the siblings are gonna try to reconnect.
Shan's crush is going to move away and they make a promise of exchanging their favorite signed baseballs. His signed ball, however, is lost because of his brother Jia, so the brothers start a journey to find the ball...
Cléo and Oscar are a couple that seems perfect in every way. During an evening with friends, the lovers end up committing an irreparable crime. They will have to maintain their appearances to face the consequences of their actions.
Dylan Deblois
Jean-Robert Tremblay
