A documentary on how American films are made well at the renowned Studio Koliba, Slovakia and also the harsh and cruel view of why films do not go well in SR.
Self (archive footage)
Self
A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolated human experiences.
No overview available.
A young investigative journalist and his fiancée are brutally murdered in their home in Slovakia. Their deaths inspire the biggest protests in Slovakia since the fall of communism. The story takes an unexpected turn when a source leaks the secret murder case file to the murdered journalist’s colleagues. It includes the computers and encrypted communications of the assassination’s alleged mastermind, a businessman closely connected to the country’s ruling party. Trawling these encrypted messages, journalists discover that their country has been captured by corrupt oligarchs, judges and law enforcement officials. A reckoning awaits.
A teenager reflects on his current life situation, as he smokes a cigarette. He expresses concerns about the way he lives, has lived and will live. Past, present and future.
The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.
Slovakia, on the eve of the outbreak of World War II. The family of the young Jewish Martin Friedmann gathers to celebrate his bar mitzvah and make a solemn promise that they will all meet again a year later around the same table; but the storms of war and anti-Semitic fanaticism will lead each of them down very different paths.
A student, a goddess and a dog meet under quaint circumstances in a turned world. This miniature can be read as a metaphor about tunnel vision and the muse it takes to wake up!
Grumpy handyman Laco loses everything to a group of mobsters. Now wheelchair-bound and with his life spiraling, it's his new friend Gabo, a local Roma who helps Laco see things with a new perspective. Revenge is sweet.
The film tells about a small museum, where the economic boom has not yet arrived. It appears as if time has stopped in this national museum, a museum which should serve as a show window for Slovakia. Stuffed animals are covered with dust and the three employees working as caretakers of the huge building look like the museum exhibits themselves.
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