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Kvinne
Sint Mann
Krenket Mann
Beruset Mann
Irritert Kvinne
Jovial Kvinne
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.
A conversation between reality and consciousness.
During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.
Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
He's here and waiting. While time, history and ideas repeats themselves he watches the ages pass as usual. In the end, the left eye of Mars will return to him uninjured. A five-part experimental film about the antics of modern society and the struggle of our beloved "Mars"
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Anna comes from a violent past that has left her a recluse in her solitude.When a man knocks at the door her infancy returns....Will Anna open the door to the universe that she has created for herself to let life enter?
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.
A perspective on everyday things.
"When Mollie's routine between a real and surreal gets interrupted by an uncalled visitor, the line between reality and dream blurs."
A fragmented story of unrequited love in the post-apocalyptic wasteland of the last colony on Earth, Puerto Rico.
