Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.
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Documentary about the life of Luis Mariano Rivera.
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
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Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.
Mayami Nuestro goes beyond the slogan "tá barato, dame dos" (“it’s cheap, give me two”) to force a rethinking of Venezuela’s relationship with oil and national identity. Produced at the height of the oil boom, this 34-minute documentary examines Venezuelan lifestyles in the 1970s and early 1980s, questioning the consumerist fantasies fueled by petro-wealth. Through interviews with merchants, bankers, U.S. academics, and the testimonies of Venezuelans themselves, the film maps the era’s version of the “American Dream” as lived—and projected—abroad. Winner of national and international awards and directed by Carlos Oteyza, Mayami nuestro offers a sharp, historically grounded critique and an open invitation for new generations to reflect on the legacy of oil and its cultural consequences.
Through the testimony of Manuel Taborda, a pioneer of labor organizing in Venezuela’s oil fields, this documentary revisits the experiences of oil workers between 1920 and 1936. Their memories reveal a world marked by corporal punishment, exploitation, racial segregation, and disease, alongside the emergence of collective resistance against the American and British oil companies that controlled the industry and the government that enabled them.
In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.
Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.
A machine-voice makes a "sad film of his homeland" for a dying patient to ease its passing: footage from Kennedy's visit to Venezuela in 61' creeps through montage errors, and a seemingly endless poem comes alive one last time.
1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.
Intertwined stories of people fighting for love, survival and the truth during quarantine.
The struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez.
Documentary about the life of Simón Bolívar, directed by Antonio Bacé.
Created during the Cold War expansion of nuclear energy, this promotional film uses the story of a woman named Eve to illustrate how atomic power could transform everyday household life through electricity and modern appliances.
In late 2009, the staff of This American Life went on stage to talk for the first time as a group about how the show is put together. Get answers to burning questions like: how close to disaster was the 2008 live show? What is the connection between This American Life and Matt Damon? Will we ever do a swim suit edition of the show? Includes a rare interview with our boss, Torey Malatia, about being made fun of at the end of every episode.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
One of the finest skate soundtracks of all time... or at least 2003. Blown Out: 2003 Filmed and Directed by Eric Noren Featuring: Colt Cannon, Caswell Berry, Louie Barletta, Ricky Oyola, Brian Emmers, Emmanuel Guzman, Windsor James, Dan Murphy, Tyler Hansen, Jeremiah Babb, Adrian Mallory, Nestor Judkins and more! Produced by Ron Whaley, Jeff Kendall, Krux Trucks, NHS inc.
Fifty years ago in the Bronx, a new genre of music was born, the product of a people searching for their voice and the opportunity to be heard. For decades, the community was bound by the words of leaders like Martin Luther King and Malcolm X before their assassinations attempted to thwart the messaging. While their lives ended, the impact of their words never would, instead paving the way for others. Soon, athletes and entertainers would step to the microphone and boldly become the sound of a new generation and an inspiration to their people. When the world looked to silence them, the culture found a way to speak louder than ever before. From Muhammad Ali to Public Enemy, Jay-Z to Lebron James and beyond, the impact on sports has been indelible.
In Spain, a poor country ruined by the recent Civil War (1936-39), and in the midst of Franco's dictatorship, a film school was created in Madrid in 1947, which became, almost unintentionally, a space of freedom and pure experimentation until its closure in 1976.
