A scavenger protects his subway shelter.
No Trailers found.
No Cast found.
Various animations by the studio Olive Jar Animations compiled.
The supermarket is nearing its closing time, and the last customers are queuing for their turn at the fish counter. The agonizing wait offers a chance for existential reflection and a little song.
Short stop motion animation by Maurice Hübner
Junior is a preteen worm who struggles to be accepted by his peers, only to get bullied for being spoiled by his overprotective mother. One day, while in an attempt to impress his friends, he is accidentally brought up to the surface by a shovel, thus starting a journey with great adventures and very high stakes - not only for the little hero, but also to the entire worms society. To get back home and save his own kind, Junior must first learn the powers of self-respect, trust and true friendship.
Two creatures fall in love, weaving a colourful world together. but when darkness threatens to consume one of them, the other must fight to stay together, or risk being torn apart.
When an alien with amazing powers crash-lands near Mossy Bottom Farm, Shaun the Sheep goes on a mission to shepherd the intergalactic visitor home before a sinister organization can capture her.
There is a great deal of magic and enchantment in the glassworks. Motion capture with animation and real glass
Welcome to the circus arena, where all the characters are made of white paper.
About the protection of nature, about the inhabitants of protected swamps.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Cheese-loving eccentric Wallace and his cunning canine pal, Gromit, investigate a mystery in Nick Park's animated adventure, in which the lovable inventor and his intrepid pup run a business ridding the town of garden pests. Using only humane methods that turn their home into a halfway house for evicted vermin, the pair stumble upon a mystery involving a voracious vegetarian monster that threatens to ruin the annual veggie-growing contest.
Driven from his homeland and faced with the genocide of his people, an inexperienced Elvish prince must forge an unlikely alliance with a tribe of Wolfmen to save his people from the bloodthirsty Zerad.
500 years into the future, the earth is a dry wasteland destroyed by humans. Doctor Alma, a fluffy, brilliant Vulkeet (a cross between a parakeet and vulture) who drives a Vespa, must cure the only creatures left who can save the world by bringing back the rain - the bizarre and loveable Homeys who have fallen ill with a mysterious sickness.
Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.
When the young orphan boy James spills a magic bag of crocodile tongues, he finds himself in possession of a giant peach that flies him away to strange lands.
The Fantastic Mr. Fox, bored with his current life, plans a heist against the three local farmers. The farmers, tired of sharing their chickens with the sly fox, seek revenge against him and his family.
A king hides an embarrassing secret - and it causes him to execute every barber who cuts his hair.
Sketch Film #2 (Tomonari Nishikawa, 2005, 3 min., super 8, silent, 18/24fps, b&w, USA) The second film in the series, showing my study especially in apparent shapes – a shape that cannot be seen in a single frame but only through a series of consecutive frames when projected. It was edited in camera and hand-processed afterwards.