HOW ARE YOU FEELING TODAY?
In an increasingly oppressive modern age, the characters of this film are subject to the alienation and meanness that characterizes today’s days.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
In nineteenth-century Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion is shown through the eyes of one Polish town.
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.
This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.
What does it mean to be Black in America in the 21st century? The recently formed Black American film group TNEG™ has set out to elucidate this very question. Hearing from the likes of fine artist Kara Walker and musical artist Flying Lotus, the film is based on a deceptively simple approach -- asking a refined list of black 'specialists' as well as 'uncommon folks' questions about what they think, and more importantly as lead director Arthur Jafa states, 'What they KNOW' -- the film is an unprecedented 'stream of the black consciousness' and a strikingly original and rarefied look at black intellectual and emotional life. What's so unorthodox about this simple approach is that the interviews were recorded separately from the images in the film. What results is a breathtaking, kaleidoscopic look of American black life from the dawn of three original filmmakers.
Activists and volunteers work through the darkest days of 2020, galvanizing social change amidst chaos as governments start to fail local communities. This epic, globally spanning and deeply passionate documentary serves as a clarion call that great change can be born of crisis.
Two girls from different backgrounds, one an immigrant from Turkey and the other a girl who needs to get out of her father's shadow, apply to the police academy, where they become close friends.
It’s 2020 and Minsk, the capital city of Belarus, is overflowing with anti-government protests. A dreamy figure – Mara – takes us on a journey alongside the protesting crowds. Mara’s symbolic presence is a stark contrast to the harsh reality of the street. There is a determination to Mara, but also a fragility – as if her persona reflects the collective mental state of the protesters witnessing their dream for freedom turn into a nightmare.
The residents of Bucha, Ukraine, are rebuilding their city from the rubble after surviving the horrors of Russian occupation. A newly married couple, a schoolgirl, a city official, and an elderly housewife have all endured the painful experiences of war, yet they manage to hold onto hope and solidarity. But how do you rebuild in the wake of growing trauma, especially with war still raging in your country? As time hopes for a peaceful life fade, they must grapple with mounting tensions within their communities. Shot over a three-year period, the film is a follow-up to When Spring Came To Bucha, as five protagonists navigate the complex terrain of inner conflicts, trauma, and a longing for justice, posing questions about the future of a society at war.
Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.
Four young men are sitting in a car at a train crossing and waiting for the train to pass.
In an epic tale of theater, gender, love and class, two Beijing opera actors navigate political turmoil as their friendship evolves over decades.
After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.
After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.
No overview available.
Mr. Hulot is the head designer of the Altra Automotive Co. His latest invention is a newfangled camper car loaded with outrageous extra features. Along with the company's manager and publicity model, Hulot sets out from Paris with the intention of debuting the car at the annual auto show in Amsterdam. The going isn't easy, however, and the group encounters an increasingly bizarre series of hurdles and setbacks en route.
Trailer
Narrator
Sophia
Woman reading the news
Man with a dog
