Devastating hurricanes, torrential rains, the inexorably rising waters: coastal megacities are now up against the wall. The filmmakers have chosen three emblematic cities: New York, Singapore and Rotterdam. Cities that each face unique problems and must revisit their relationship with water in order to survive on the long run. In 50 years, all surge barriers in the world will be out of order. What solutions will then remain for coastal cities?
Sound progression of two opposite landscapes.
An documentary exploring what the city of Liverpool means to the people who call it home.
No overview available.
The film discusses the cultural impact of "pichação", a Brazilian form of graffiti, on the streets of São Paulo and its international influence as one of the main cornerstones of Street Art.
Documentary about the history and development of Qiqihar city.
What happens when a world that relies on traffic and the logistics that allow it comes to a standstill? What happens when sickness and even death are taken from us?
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
A history of the bridges of Paris, through modern views and historical engravings.
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.
The relationship between the city and a car, through a dialogue where a common reality and "making a city" are disputed and revealed.
Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.
Exploring Moscow and paying tribute to Laika, the first dog in space.
No Cast found.
No Trailers found.
