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Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.
By fabricating her biography, Luo Su, a young Chinese white-collar worker from a low-income family, hopes to wed Mr. Win, an alluring bachelor. But when her mother's shocking TV interview exposes her deceit, she loses everything and ends her own life. Left in limbo, she is mystically given one last opportunity to alter her fate within 72 hours - albeit within the body of a man.
The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.
A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.
Ali takes a personal look at the complexities of his childhood through old photographs, vivid memories and a bunch of tunes in an attempt to reconnect with his feelings at that time.
Inside a block of flats, a young woman decides to act about something concerning her for a long time.
No overview available.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
A political assassination leads to division and chaos.
2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.
What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.
The last person on Earth revisits their memories as they wander a lonely world
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
Arda Wuyts experiments with editing and color.
Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
Mulher
