To process grief, a young adult revisits fragments of their late grandmother’s life to restore the version of their own inner child when she still remembered them.
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A community of cats lives in the Soledade Cemetery Park in Belém. "7 Vidas" follows these animals through a fictional letter written by one of them to his former owner. With real images of the cats among graves and trees, the film builds a sensitive narrative about abandonment, freedom and memory, revealing the poetry hidden in the coexistence between life and death.
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
A short documentary that begins with an experience of Uriel, a young trans man, and then draws an analogy with a part of human identity tied to the name we are given at birth.
Amanda Montejo is a trans woman, make up artist, Guadalupana and a witch. This documentary portrait explores different facets of her spirituality and fragments of her past, revealing the duality of her being.
Omama, a rural grandmother in Hungary, has one main wish: to not wake up tomorrow. Martin, her cinema-expatriate grandson, comes for a visit, hoping to connect with her before Omama's wish comes true.
Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.
A film that explores the power of childhood adventures through the lens of Super 8 film reels to inspire life in the moment, cherishing the times that shape our lives. Through the recollection of childhood adventures and family journeys, this documentary captures timeless beauty of memory, reminding us to live in the moment.
Within the video, two screens coexist. On the primary screen, a repetitive action takes place - the photo in the hands is periodically blurred. The focus of the viewer's attention is shifted to the secondary screen, which is more dynamic. The face in front of the camera, resembling clay, tries to take on images from archival photographs and video recordings.
An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.
Growing up, I heard many tales of my grandmother's life, before she was known as Mimo, and each narrative she told stuck with me and still impact my thinking to this day. I wanted to celebrate Mimo's wisdom and character, as well as capture the extraordinary within the ordinary. Hopefully I can inspire others to reflect on their own relationships with their elders and the untold stories that shaped their lives.
This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.
The lastest neuroscience discoveries show surprising results: false memories, distortion, modification, déjà vus. Our memory is affected in many ways, and deceives us every day. The very fact of recalling souvenirs modifies them. The everyday consequences are manyfold. To what extent can we rely on our souvenirs? How much credit can we give them during trials? Even more shocking, scientists have proved to be able to manipulate our memory: creating artificial souvenirs, deleting, emphasizing or restoring them on demand.
You might think that your memory is there to help you remember facts, such as birthdays or shopping lists. If so, you would be very wrong. The ability to travel back in time in your mind is, perhaps, your most remarkable ability, and develops over your lifespan. Horizon takes viewers on an extraordinary journey into the human memory. From the woman who is having her most traumatic memories wiped by a pill, to the man with no memory, this film reveals how these remarkable human stories are transforming our understanding of this unique human ability. The findings reveal the startling truth that everyone is little more than their own memory.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
This documentary film is the continuation of “Digging Out the Truth” and it shows the mourning of the families of those who were, until recently, missing. During this second investigation the team discovered more graves close to the Moroccan wall and its accompanying line of antipersonnel mines. There are still more than 400 Saharawis missing in the Western Sahara.
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
Grandma has become a little doddery. And since the death of her husband, called E.O., ever bigger gaps have opened in her memory, and her disorientation has increased. Director Astrid Menzel makes a decision: to take a ten-day canoe trip on northern German waters with her brother and the 86-year-old lady. An adventure whose outcome is uncertain and which the three travellers have to face anew at every stage.
This poetic film follows director Marialuisa's journey with Anita and Leticia, Central American women traveling with the Caravan of Mothers of Missing Migrants.
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
