Bored Hatamoto film #21
In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
The background to and depiction of a watershed battle in Japanese history, at Sekigahara in 1600, when Tokugawa Ieyasu's Army of the East defeated the Army of the West of Ishida Mitsunari. The story includes the intrigues and shifting loyalties of the various retainers, family members, and samurai.
A yakuza boss hires Goemon Ishikawa, a modern day samurai, to protect him aboard his cruise ship casino. Everything goes sideways when the famous thief, Lupin the Third, tries to rob the vessel. Lupin's being hunted by a powerful and mysterious man: the so called “Ghost of Bermuda.” With Goemon's employer dead in the ensuing chaos, his honor is at stake, and the only way to preserve it is with blood. But this opponent is like no other, and to make things right, Goemon may need to sharpen not only his sword, but himself as well!
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
Japan blossomed into its Renaissance at approximately the same time as Europe. Unlike the West, it flourished not through conquest and exploration, but by fierce and defiant isolation. And the man at the heart of this empire was Tokugawa Ieyasu, a warlord who ruled with absolute control. This period is explored through myriad voices-- the Shogun, the Samurai, the Geisha, the poet, the peasant and the Westerner who glimpsed into this secret world.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Fifth movie in the Hissatsu (Sure Death!) Series. At the behest of a corrupt bureaucrat, a mysterious band of murderers wage a bloody battle against three deadly assassins.
The Color Print of Edo is a 1939 black and white Japanese silent film with benshi accompaniment directed by Kazuo Mori. It is a cheerful period drama, sprinkled with comical scenes and tells the story of a loyal and handsome Edo period servant who fights to help his older brother marry the woman he loves. The star of this film, Utaemon Ichikawa, gained enormous popularity for his portrayal of a cheerful and chivalrous man.
Young Lord Genjiro, who abandoned his castle to live as a commoner in Edo, returns home to restore peace amidst disruption over an inheritance dispute. Warned by a fortune-teller that he would die by the sword, the young lord must courageously battle 30 or 40 men who attack without warning. Meanwhile, his love affair with Kocho, a singer who is also a skilled archer.
No overview available.
It is a historical drama that follows Katsu Kaishu's efforts to surrender Edo Castle bloodlessly in the first year of the Meiji period.
As Japan’s Tokugawa shogunate nears the end of its rule, Edo North Magistrate Toyama no Kinsan is called upon to judge the most difficult case of his career. In a masterfully woven tale, he has to face the truth about his estranged father’s possible involvement in a nefarious plot to take over rule of the Hizen Shimabara clan by assassinating the rightful lord, his son, and install one of Shogun Ienari’s offspring as daimyo.
In the turbulent last days of the Edo period, Kawai Tsugunosuke, a Japanese samurai serving the Makino clan of Nagaoka, dreamt of independence from the restraints of vassalship. Despite his progressive views and his desire for his estate to remain neutral during the Boshin Civil War, he was bound by loyalty and duty to the clan and was compelled to choose sides.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.
Near the end of the shogunate in Japan, Katsura Shogoro and his fellow samurai from the southwestern domain of Choshu enter the dojo of Saito Yakuro, the famed Shindo Munen Ryu swordsmen of Renpeikan in Edo. Katsura is initially not welcomed by the other, senior dojo followers. Undeterred, he focuses on improving his skill not only in swordsmanship but also learning how to repel the foreign British and American ships that threaten their domain.
During the reign of Shogun Hidetada, both Hirate Musashi and Okamoto Musashi strive to become the finest swordsman in the land by defeating the Yagyu clan's top instructors and then taking on Sasaki Kojiro!
Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.
Follows the final days of the shogunate and Shinsengumi's Vice-Comander Hijikata Toshizo along with his fellow anti-imperialist group.
Japan, 1785. Jūzaburō, a famous thief who refuses to kill innocent people, is betrayed, ambushed, and left for dead.
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