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As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.
In 1983, fifteen Cape Breton, Nova Scotia, landowners went to court to stop the spraying of herbicides by the local subsidiary of a Swedish multinational on forests adjacent to their properties. They found that the testimony of scientists and the support of public opinion, both here and abroad, were not enough to win their case. The film shows their ordeal and the landmark Sydney trial. Concerns raised included potential conflict-of-interest situations where a government must protect citizens' health while supporting certain kinds of industry; the relative value of the political and judicial processes in mediating social problems; and the need for a public forum for debating environmental issues. The film contains outstanding footage from chemical-industry films of the 1950s and recent material about Vietnam veterans affected by Agent Orange.
Climate change has reached the indigenous Nenets people in the north of Siberia. The nomads' herds of reindeer move on thin ice. The warming in the Russian Arctic is becoming dramatically visible. Huge craters open in the thawing permafrost and expose dangerous viruses and bacteria. Forest floors dry out and the taiga catches on fire. The pack ice off the coast is melting and depriving polar bears of their habitat so that they approach human settlements in their desperation. The changes in the nature of the Arctic Circle combine with the measurements of researchers and observations of the indigenous people to form a disturbing overall picture: In the Russian Arctic, Pandora's box has been opened! The film team had the chance to shoot in regions that were been restricted areas for decades. The documentary shows in impressive and depressing images already existing effects, phenomena and ominous interlinkages of global warming.
A 45 minute account of the life of a humble logger, named Vince Shute, who made one decision that would ultimately affect the black bear and the attitudes that people have of this often misunderstood animal. This short film goes into great detail about the history of The American Bear Association and the formation of the Vince Shute Wildlife Sanctuary.
A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
A poetic tribute to writer, poet and environmental activist, Ken Saro-Wiwa, who was executed alongside eight other activists for opposing the environmental damage done in their oil-rich homeland, Ogoni.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.
A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts.
A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse
Thirty-something single father Mike meets attractive younger Christine at a dance lesson. She likes him as much as he likes her. But are things too good to be true.
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With the coveted glitter ball trophy once again up for grabs, how will series winner Chris Hollins fare against other celebrity favourites - including Austin Healey, Kelly Brook, Mark Ramprakash, Ali Bastian, and Natalie Cassidy? As they take to the stage alongside their professional partners including; Kristina Rihanoff, James and Ola Jordan, Brian Fortuna, Natalie Lowe and Ian Waite, in brand new breathtaking outfits and daring routines. They will need to impress judges; Len Goodman, Bruno Tonioli, Craig Revel Horwood and Arlene Philips. Who as always, are ready with quips, banter and razor-sharp observations!
Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions
Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.
In this documentary, we are invited to the mind of the elderly Hiam, a Palestinian woman from Nazareth. The mundanity of everyday life gives us a few sentimental glimpses of Hiam's past and present through the eyes of the filmmaker Juna Suleiman, her granddaughter.
Upon first sight of a beautiful instructor, a bored and overworked estate lawyer signs up for ballroom dancing lessons.
Gopan is living with his 6 year old son Ashok. His neighbor Celin falls in love with him. But he reveals that Ashok's mom is alive and he narrates his story.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
