The movie tells the story of how movie theatres can be an escape from the outside world.
Torn between the desire to protect his little brother in a violent world and the longing for the utopia of a queer community, Hector (23) embarks on a journey between reality and fantasy to reflect on his own experience of violence and to find closeness to his brother again.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Seventh art is unique addresses people's relationship with a movie theater or film. What feelings do they feel? What changes in you when you go to the movies? It also addresses Jair Bolsonaro's harsh criticism of culture and cinema in Brazil.
Haruhiko and Yukihiko are childhood friends. In elementary school, their homeroom teacher, Mr. Kintama, taught them to be homosexuals, and they became lovers and had a lot of fun in their youth. In junior high school, they met Tamabukuro Sensei, and in high school, they met Maradate Sensei, a biology teacher, and their homosexual life became more fulfilling. After graduating from high school, however, the two went their separate ways. Yukihiko went off to college in Hokkaido, while Haruhiko, in need of money for family reasons, went to work at a bar in Shinjuku's 2-Chome district. They had loved each other for many years, but time and distance had torn them apart. Time passed, and Yukihiko returned to Tokyo with his new girlfriend. There, the two are reunited by fate. Now, what will happen between them!
Unable to purchase a $50,000 digital projector, a group of film fanatics in rural Pennsylvania fight to keep a dying drive-in theater alive by screening only vintage 35mm film prints and working entirely for free.
In a dimly lit jazz club, a widower cinephile battles his buried desires. That's until he stumbles upon a mysterious cinema that unveils his suppressed longings and leads him on a journey of self-discovery through his enigmatic reflection.
Experience the 1990’s and the end of a millennium in the sixth installment of the “Tour de Cinema” series.
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Dive headfirst into what many believe to be the most influential decade in filmmaking, the 1970’s.
Dive full-force into the most electric, profound, action-packed, and emotionally resonant decade in the history of filmmaking with the fifth installment of the “Tour de Cinema” series.
In the last days of their tumultuous relationship Julian and Lara are confronted with a life changing event and now must bear the consequences.
Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.
A 122 year old movie theater is going to be closed. The staff members, visitors and friends of the old cinema will see the last days of the building and it's history. Then the appearance of a mysterious old man triggers confusion.
After a Hollywood agent suffers the loss of her biggest client and closest friend, she is asked to represent an AI version of the deceased actor.
A Hollywood filmmaker (Mike Jittlov) makes a short for an evil film studio. Unbeknownst to him, the producer has placed a bet of $25,000 that he won't come up with anything with a use. Luckily, our film creator gets the help of his friends.
When returning to his hometown with his ill mother, Marlombrando meets again his father and the Drive-in cinema where he spent his childhood. Almeida keeps the cinema functioning with the assistance of only two employees: Paula, who takes care of the projection and the snack bar; Jose, an old friend of Almeida, who helps selling tickets at the cashier and cleaning up the place. The arrival of Marlombrando and the demolition threatening of the Drive-in will bring new directions to their lives.
On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn".
The year is 1968. Five teenage boys dream of running a movie theater in which they will not show pro-war films. One summer afternoon Giò, Delfo, Max, Ricky and Paolo learn to become trusted friends, indispensable to one another.
The cinema hall as a liminal space during a matinee show, and the experience it evokes.
Vir
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