The film weaves together the filmmaker's introspections with survivor's collective memories. Amid deciphering a diary, the filmmaker reflects on personal encounters.
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This short documentary revisits Mi’kmaq territory, where an iconic moment was captured in 2013—igniting into a symbol of Indigenous resistance and halting fracking exploration on unceded lands.
This film follows the aftermath of the Oka crisis, which brought Indigenous rights into sharp focus. After the barricades came down, the Royal Commission on Aboriginal Peoples was created, and travelled to more than 100 communities and heard from more than 1,000 representatives. For two-and-a-half years, teams of Indigenous filmmakers followed the Commission on its journey.
For over thirty years, between Paris and Rome, Chloé Barreau has been filming her love life. While in a relationship, she would already build its memory by filming, taking pictures, writing about it… but what do her exes remember? What is their side of the story? This film traces a woman's life, based exclusively on the interviews of people who loved her. Intimate testimonies and private items reveal the universal paths of the feeling of love.
Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
A short film of the first weeks of strict national lockdown, filmed in Barcelona on a classic home video camera Hi8. Narrates the story of three women who share a flat and who create a microworld not only to survive the global pandemic but also to survive themselves.
In the swirling volcanic steam and misty rain forest of Kilauea volcano’s east rift zone on the island of Hawai’i, two forces meet head on. Geothermal development interests, seeking to clear the rain forest for drilling operations, are opposed by native Hawaiians seeking to stop the desecration of the fire goddess, Pele. Pele is a living deity fundamental to Hawaiian spiritual belief. She is the eruption, with its heat, lava and steam. Her family takes the form of forest plants, animals and other natural forces. But geothermal development interests see Pele as simply a source of electricity. When Hawaiians take the issue to court, they find that nature-based religions are not respected by U.S. law.
This documentary recounts the difficult choice actress Mary Astor had to make after learning her personal, very intimate, diaries had been stolen. The film tells the story of Astor's 1936 child custody case.
Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.
Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.
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When director Iván Guarnizo's mother passes during the first days of peace talks with FARC-EP in Colombia, a door opens to explore a dark and painful past and, perhaps, find forgiveness. Iván's mother had been kidnapped by FARC-EP forces and held in captivity for 603 days. As they marched her through the jungles and mountains of the Colombian countryside, she was able to keep a diary that in great detail documented the places she was taken, her experiences and the names and descriptions of her captors.
Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.
Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.
“Can I be nostalgic about something I’ve never experienced?” asks debut filmmaker Pranami Koch. She has in mind her grandmother, a person she never knew who belonged to the Koches, a people in India with their own culture and traditions. In her search for connection and identity, Pranami travels to the countryside and immerses herself in the Koch community.
A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.
In 2011, the director and screenwriter Wolf Gremm receives the diagnosis - prostate cancer. According to the doctors, he has not much longer to live, maybe eight months. Wolf Gremm is torn by these devastating news in the midst of an active, fulfilling life, but he decides to deal with the disease offensively and to fight. From now on smartphone and mini camera are his constant companions.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
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