Comandante SLAYER
Duck Black JR
Polimaniaco Jr
Destello Oriental
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Lucha libre is part of Mexican culture, but how did something that was shown in circuses and fairs become a cinematic genre? Join us to learn about this trajectory.
The 70th anniversary of the birth of El Santo and the wrestling debut of his son mark the starting point for which El Hijo del Santo will take us into his story. His family history goes beyond the ring through personal memories and records, and brings us closer to his childhood with a father who had a double identity, to the discovery of the hero at home, and the reasons for wanting to continue this legacy.
The documentary portrays the life and history of Mexican wrestlers who for various reasons have decided to participate in this contact sport characterizing exotic characters. The exotic refers to the strange, the mysterious, the weird, the unusual. Particularly in wrestling exotic style refers to refined athletes in their clothing, well groomed, with a very special walk, occasionally thin effeminate. Not rude, not technical, but not rare height or size, these mannered gladiators have represented a third option within the Mexican rings, some shamelessly displaying their sexual preference and thereby defying the homophobic, or secretly homophily, mood of the wrestling fans.
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The courageous female wrestlers of Ciudad Juárez, a city known for its high murder rate against women - who fight in the ring and in their daily lives to redefine the image of what it means to be a woman in Mexico.
The extreme passion for Lucha Libre, leads a small group of Ecuadorian amateur wrestlers to face each other in a tournament to win a dream opportunity to fight in the Holy Land of Lucha Libre: Mexico.
Kemonito, a beloved mascot of the Mexico World Wrestling Council, has suffered many injuries, but he can’t retire and lose his only means to support his family.
Between punches and jumps, the fighters of the team "Flecha Dourada" return to the ring after 50 years to relive the glorious era of wrestling in Santa Catarina, South of Brazil.
Directed by award-winning filmmaker Carlos Avila, this documentary program profiles three legendary wrestlers in a creative and imaginative exploration of the colorful, fascinating and mysterious world of lucha libre Mexican wrestling.
A young man from Lima faces anxiety and depression in the context of the COVID-19 pandemic while trying to carry out the most ambitious project of his life: an experimental documentary in the style of the French New Wave about Peruvian wrestling, in which which will condense more than a thousand hours of footage that he has been recording for 4 years. The political and health crises that the country is going through, the confinement and the ghosts typical of someone who suffers from emotional problems will make this work more difficult. So he will cling to the enormous passion he has for cinema and for this beautiful sport that has fascinated him since he was a child.
Documentary film by François Reichenbach of the lucha libre in Mexico. A study of the wrestling mania, in which he also delivers a portrait of life, politics and popular culture in Mexico
Ignacio, a disrespected cook at a Mexican monastery, can barely afford to feed the orphans who live there. Inspired by a local wrestling hero, he decides to moonlight as the not-so-famous Luchador "Nacho Libre" to earn money for the monastery -- not to mention the admiration of beautiful nun Sister Encarnación.
James Wallace is a young American. To him Mexico was just another adventure in a life lived without any grand plans. A place to go where nobody knew who you were and nobody cared. A chance to drop out and get by within Mexico's flourishing underground economy. When he finds himself working as a 'surgeon' in Carlos Melgarejos' burgeoning organ trafficking ring things start looking up. But that was before he met Rosalita, a prostitute at the amateur lucha libre whose profound beauty shakes his insouciance. Suddenly there's more to life than cutting out kidneys south of the border. James wants out and he wants to take Rosalita with him. For Carlos this is more than just another headache in a life filled with niggling trespasses, this is personal.
Dr. Frankenstein and her assistant, Dr. Yanco, are going to bring one of their experiments to life in Santo Vs. Frankenstein's Daughter. She intends to use a monster named Ursus to do her evil bidding. Using a youth serum to retain their vitality, the doctors set their sights upon none other than El Santo. They need his super human blood to regenerate a stronger youth serum. They kidnap Santo's goddaughter, Norma and lure him into Dr. Frankenstein's lab where he is captured and enslaved. Will Santo make it out alive?
Innocent women are being kidnapped and used as guinea pigs for a brain transplant experiment. The diabolical Dr. Frankenstein continues his quest to perfect his brain transplant operation to bring back his deceased wife at any cost - even if it means playing with the lives of others. El Santo and Blue Demon are called in to help when their friend Alicia becomes Dr. Frankenstein's next target. It'll take both heroes to go up against the dastardly doctor and go mano a mano with his super strong zombie Golem.
The sordid lives of an addict, an ex-con, and a luchador collide when an organ harvesting caper goes very, very wrong.
Calpuina is a night-watchman in a wharehouse, a perfect job for him. When some thieves break in and steal some crates, El Santo is after them because they are using the wharehouse for diamond smuggling. Capulina hinders their capture. Then he decides that he will put on a wrestler's mask and help El Santo to caputre the crooks.
Santo and Jorge Rivero team-up to stop an international syndicate from stealing Mexico's greatest treasure.
The silver masked Santo tries to stop a gang of counterfeiters who conspire to ruin the economy.
TripleMania XXX: Mexico City was a professional wrestling event produced by Asistencia Asesoría y Administración (AAA). The event took place on October 15, 2022 at the Arena Ciudad de Mexico in Mexico City, Mexico.
