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Comandante SLAYER
Duck Black JR
Polimaniaco Jr
Destello Oriental
Directed by award-winning filmmaker Carlos Avila, this documentary program profiles three legendary wrestlers in a creative and imaginative exploration of the colorful, fascinating and mysterious world of lucha libre Mexican wrestling.
Lucha libre is part of Mexican culture, but how did something that was shown in circuses and fairs become a cinematic genre? Join us to learn about this trajectory.
The courageous female wrestlers of Ciudad Juárez, a city known for its high murder rate against women - who fight in the ring and in their daily lives to redefine the image of what it means to be a woman in Mexico.
The 70th anniversary of the birth of El Santo and the wrestling debut of his son mark the starting point for which El Hijo del Santo will take us into his story. His family history goes beyond the ring through personal memories and records, and brings us closer to his childhood with a father who had a double identity, to the discovery of the hero at home, and the reasons for wanting to continue this legacy.
The documentary portrays the life and history of Mexican wrestlers who for various reasons have decided to participate in this contact sport characterizing exotic characters. The exotic refers to the strange, the mysterious, the weird, the unusual. Particularly in wrestling exotic style refers to refined athletes in their clothing, well groomed, with a very special walk, occasionally thin effeminate. Not rude, not technical, but not rare height or size, these mannered gladiators have represented a third option within the Mexican rings, some shamelessly displaying their sexual preference and thereby defying the homophobic, or secretly homophily, mood of the wrestling fans.
The extreme passion for Lucha Libre, leads a small group of Ecuadorian amateur wrestlers to face each other in a tournament to win a dream opportunity to fight in the Holy Land of Lucha Libre: Mexico.
Kemonito, a beloved mascot of the Mexico World Wrestling Council, has suffered many injuries, but he can’t retire and lose his only means to support his family.
Between punches and jumps, the fighters of the team "Flecha Dourada" return to the ring after 50 years to relive the glorious era of wrestling in Santa Catarina, South of Brazil.
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Inspired by the life of Toluca-born boxer Ernesto Barrera, who became the national flyweight champion in 1960. It portrays the meteoric career, rapid rise, and tragic downfall of the fighter, from his impoverished childhood and early days in boxing to his death in 1983, brought about by alcoholism.
A young man from Lima faces anxiety and depression in the context of the COVID-19 pandemic while trying to carry out the most ambitious project of his life: an experimental documentary in the style of the French New Wave about Peruvian wrestling, in which which will condense more than a thousand hours of footage that he has been recording for 4 years. The political and health crises that the country is going through, the confinement and the ghosts typical of someone who suffers from emotional problems will make this work more difficult. So he will cling to the enormous passion he has for cinema and for this beautiful sport that has fascinated him since he was a child.
Documentary film by François Reichenbach of the lucha libre in Mexico. A study of the wrestling mania, in which he also delivers a portrait of life, politics and popular culture in Mexico
In the most important match of his life, the once mighty masked luchador, Son of Jaguar, faces his legacy, his family, and what it means to be a part of something bigger than himself.
Calpuina is a night-watchman in a wharehouse, a perfect job for him. When some thieves break in and steal some crates, El Santo is after them because they are using the wharehouse for diamond smuggling. Capulina hinders their capture. Then he decides that he will put on a wrestler's mask and help El Santo to caputre the crooks.
Santo and Jorge Rivero team-up to stop an international syndicate from stealing Mexico's greatest treasure.
The silver masked Santo tries to stop a gang of counterfeiters who conspire to ruin the economy.
At the dawn of the Second World War, Nazism was extending its grip over South America. The Golden Angel, a Mexican masked wrestler, was recruited by the Americans in order to flush out the spies of the Third Reich and put a stop to their nefarious schemes. The Golden Angel’s assignments, still classified Top Secret and therefore absent from the history books, even brought him to a pivotal confrontation with Hitler himself. Inspired by the spirit of classic mockumentaries such as Woody Allen’s ZELIG and Peter Jackson’s FORGOTTEN SILVER, the film takes viewers on a unique version of the fight against the Third Reich, joyfully erasing the border between fiction and reality for the viewers who, taken on this unique ride, can’t help but ask: did this really happen?
El vampire y el sexy (or Santo in the Treasure of Dracula in its censored version) is a 1968 Mexican film starring El Santo and directed by René Cardona. The Vampire and Sex was filmed as the adult version of Santo in the Treasure of Dracula. While the censored family version was distributed in 1969, the uncensored version was not shown to the public until 2011 when it was discovered.
Santo must investigate a secret conspiracy involving a spy training camp, a brainwashing plot, and a kidnapped Nazi scientist.
Dr. Frankenstein and her assistant, Dr. Yanco, are going to bring one of their experiments to life in Santo Vs. Frankenstein's Daughter. She intends to use a monster named Ursus to do her evil bidding. Using a youth serum to retain their vitality, the doctors set their sights upon none other than El Santo. They need his super human blood to regenerate a stronger youth serum. They kidnap Santo's goddaughter, Norma and lure him into Dr. Frankenstein's lab where he is captured and enslaved. Will Santo make it out alive?
