It's kind of eerie in a way...
A microfilm telling the black-and-white story of the death of passion through stills.
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A rustic comedy about a small-town bowling alley entrepreneur who learns that being scammed is not the end of the world.
While the humans are away, the shoes in a cobbler's workshop engage in a number of activities, including flirting, kidnapping and a gunfight.
Originally made for the 100 Feet Film Festival hosted by Image Forum. However, to test the limits, Terayama Shūji willfully made use of 3 projectors to project 300 feet of film at the same time.
Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.
In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images.
A little frog falls asleep after a long day of work on his farm, but is awakened from his slumber by a mysterious noise.
Compilation of classic British comedy moments
Harpo played the hero, a detective named Watson who "made his entrance in a high hat, sliding down a coal chute into the basement". Groucho played an "old movie" villain, who "sported a long moustache and was clad in black", while Chico was probably his "chuckling [Italian] henchman". Zeppo portrayed a playboy who was the owner of a nightclub in which most of the action took place, including "a cabaret, [which allowed] the inclusion of a dance number". The final shot showed Groucho "in ball and chain, trudging slowly off into the gloaming". Harpo, in a rare moment of romantic glory, gets the girl in the end. This film is lost.
In 1955 Tadahito Mochinaga was asked to create commercials for Asahi beer, which he created using stop-motion, followed by the 1956 short film "Beer Mukashi Mukashi" (Beer, those were the days...), created specifically for theatres. With the help of Kikachiro Kawamoto and Noburo Ofuji, this is the first animated short/commercial in stop-motion made for Japanese cinemas!
Inspired by the poem Hamza by the great Palestinian poet Fadwa Tuqan, compares and connects the mystery of the fertility of the Palestinian land to the mysterious power of it's women.
It's love at first sight for the Boy, but obstacles— namely shyness, and the temerity of other suitors— place themselves in the way of his love. Unknowingly, the Boy and the young woman of his fancy both stay at the home of mutual friends— But all is not well, as robbers lurk outside the house.
Helen and Tom are desperate to get married. After a foiled elopement attempt, the couple hatches a “fake wedding” scheme to trick Helen’s protective parents into allowing their marriage.
An experimental animation in which thousands of artifacts from the collections of small museums are brought to life in an animated history of human endeavor.
For years, Alba, Maydis and Judae have served a terrible Beast without ever thinking of opposing him, until now... Will Amanita give them back their hope for freedom?
A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea what to do with each other. Sexually. Emotionally. The husband meets a man who knows what to do with his sexuality. Suddenly a hand can do something no hand has done before and lips something no lips have ever done. The two men have a secret love affair. But there is a problem: The woman. And she has something up her sleeve. Will she act? Yes, she will. What happens? Nobody knows. Until now.
Tommy and Gary are criminals engaging in grand thefts in order to make ends meet. They are opportunists and have no fear. After a routine robbery goes awry, the friends are forced to put their criminal activity behind them. As Tommy's relationship flourishes with his new girlfriend Scarlet, his economic hardships become obvious. Scarlet soon proposes a notion that will make all their money troubles vanish - the heist of a half a million dollar painting. With just a short window of opportunity, Tommy and Gary design an ambitious plan, one that will ultimately determine their fate.
After his car runs out of gasoline, the son of a rich man takes his vehicle to a garage run by women.
Immediately after the prom, Olya Rusanova arrives in the city where her father worked and tragically died. Many years ago he dreamed of building a city, and now she is walking along the street bearing his name, a street without end. Having met her father’s friends, Olya learns him anew. They tell the girl how her father wanted to see large houses and wide streets on the site of the tent city. How he knew how to be friends and to love, and how longed for Olya when he broke up with his wife, who didn't agree to go with him.
Four young women change a flat tire and, feeling hot and bothered, leave their car to go take a swim in the ocean..... and their underwear is less revealing than one-piece bathing suits. While they are frolicking in the surf, a young Black girl comes by and steals their pretty clothes.... and their car has mysteriously vanished, leaving them the grim prospect of having to walk home.... although somehow I imagine some kind man would be happy to pick them up.
Porky invests his savings. Mayhem ensues.
