Four African American families relate their experiences with adoption.
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Nicknamed the "Harlem Hellfighters", these African-Americans wanted to become ordinary citizens like everyone else. They saw fighting heroically in the trenches as their chance to achieve this. In 1918, the 15th New York National Guard Regiment became the most highly decorated unit of the First World War.
The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
The history of warfare as it relates to global Black society, broken down into 7 chapters that examines the ways the system of racism wages warfare from a historical, psychological, sexual, biological, health, educational, and military perspective.
Mike Tyson escaped a life of poverty and petty crime to make a name for himself, becoming the youngest Heavyweight Champion of the World and a household name—but his rise was followed by a very public fall. In this remarkably candid portrait, the boxer addresses his controversial past, including the rape charge that sent him to prison and his struggles with substance abuse, while also detailing his ultimate recovery and comeback.
Don Letts's hilarious and colourful profile of the godfather of funk, whose 50-year career has defined the genre. From his 1950s days running a doo-wop group out of the back of his barber store, through the madness of the monster Parliament/Funkadelic machine of the 70s to his late 90s hip-hop collaborations with Dre and Snoop, George Clinton has inspired generations of imitators. Contributors include Outkast's Andre 3000 and Macy Gray.
Full of nostalgia and charm, Kid Rock is an exposé of a young black man, Tadros Eyob’s journey into rock climbing in British Columbia.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.
Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.
A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.
African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.
FOLLOW THE DRINKING GOURD is a feature documentary about the Black food justice movement. Family-friendly, funny, and moving, this 60-minute film connects the legacy of slavery, land loss, and climate change to our fight for food security.
Evanston, a suburb just north of Chicago, touts its progressivism and inclusion. It was the first city in the U.S. to offer reparations for Black residents and every street corner boasts Black Lives Matter signs, but Evanston’s Black residents have a different story to tell. If you travel to the other side of Evanston, the historically Black ward, ‘For Rent’ signs are indicators of the thousands of Black residents leaving, gentrification encroaching, and streets becoming quiet. It wasn't always this way. There used to be a vibrant, thriving hub for the Black community at the Emerson YMCA. One in every five Black boys in Evanston were members, Nat King Cole played at the Y's prom, and for many residents, it became a second home. That was until the building was burned down in 1980. The destruction happened in the name of progress, despite the Black community's protests.
Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.
Based on A Few Days Full of Trouble by Reverend Wheeler Parker, Jr. and Christopher Benson, the feature doc will explore two parallel tracks of the Till story. One set in motion by the last four years of an FBI investigation with details never before revealed, including significant new revelations of the case and its discoveries. The traumatic memory of Parker Jr., last surviving witness to the crime and Till’s cousin, drives that investigation. The second track is a deep immersion into the latest, proprietary findings, as high schoolers prepare for a reenactment of the murder trial of two of Till’s killers, Roy Bryant and J.W. Milam.
Despite Blacks making up only 7% of Madison WI's population, they are leading in so many important areas from education to politics, and are launching so many multi-million dollar projects that people describe this period as a "Black Renaissance."
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
An African-American family in Georgia works to save money for a power saw. Includes depictions of timber harvest techniques and process. Film made in 1952 by the United States Information Service and intended for foreign audiences.
This 1979 documentary depicts the daily life of gangs in the South Bronx. It deals primarily with two African American and Puerto Rican gangs known as the "Savage Skulls" and the "Savage Nomads".
