Four African American families relate their experiences with adoption.
Four Black transgender sex workers in Atlanta and New York City break down the walls of their profession.
An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.
Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.
Drag Race star Peppermint takes center stage in this up close and personal documentary about her journey with fame, identity, and the art of drag. Sharing her story alongside a close network of trans individuals, one of the world’s favorite drag performers takes you inside her rise from humble beginnings to her current reign as outspoken trailblazer for the trans community.
An African-American family in Georgia works to save money for a power saw. Includes depictions of timber harvest techniques and process. Film made in 1952 by the United States Information Service and intended for foreign audiences.
Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.
Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
A look at three U.S. cities, which were part of many communities that violently forced African American families to flee in post-reconstruction America.
In a collection of intimate interviews with some of America's most provocative black conservative thinkers, Uncle Tom takes a different look at being black in America.
Elementary Genocide is a documentary executive produced by award winning journalist/filmmaker Rahiem Shabazz. The documentary appeals to a wide general viewership by addressing the social, cultural, political and personal ramifications of how the federal government allots money to each state, to build prions based on the failure rate of 4th and 5th graders. In America, where half of the 4th grade is reading below grade level and more African-American males are in jail than are in college, Elementary Genocide serves as a striking reminder of a flawed system in need of repair.
World renowned journalist, and award-winning filmmaker Rahiem Shabazz presents the third installment of his docu-series Elementary Genocide: Academic Holocaust. The first two documentaries in the series; The School To Prison Pipeline and Elementary Genocide 2: The Board Of Education vs. The Board of Incarceration received critical acclaim and launched Shabazz as a political pundit and academic ambassador for the African American community. Elementary Genocide: Academic Holocaust adds more statistical proof of the scholastic inequalities faced by Original people around the country. The documentary revisits the importance of education and its impact on self-image, family structure, financial freedom, and the collective future of African/indigenous people in America and abroad.
Documentary feature exploring the rise of African-Americans to positions of greatness in American sports. Stories are told of boxers, tennis players, runners, and basketball players, athletes who either suffered the indignities of racism, helped break down its walls, or enjoyed the opportunities afforded by past struggles.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
Summer 2017, a string of brutal police killings of young African American men has sent shockwaves throughout the country. A Black community in the American South tries to cope with the lingering effects of the past and navigate their place in a country that is not on their side. Meanwhile, the Black Panthers prepare a large-scale protest against police brutality.
Actor Robert Culp narrates this special examining the use of boycotts by African-Americans as a way of obtaining jobs.
This 1979 documentary depicts the daily life of gangs in the South Bronx. It deals primarily with two African American and Puerto Rican gangs known as the "Savage Skulls" and the "Savage Nomads".
The Black Contribution – Literature and Theater 1978 is a rare documentary highlighting the voices and cultural impact of African American writers and performers during the civil rights era. Introduced by NAACP leader Benjamin Hooks and narrated by Roscoe Lee Brown, the film weaves together dramatic readings, theatrical excerpts, and candid urban street footage. Margaret Walker’s poem For My People is performed alongside scenes of daily Black life in New York City — children playing, families on stoops, open fire hydrants, and the realities of poverty in 1970s neighborhoods. James Baldwin appears in interview footage, while signs for his play The Amen Corner and stage excerpts from Lorraine Hansberry’s A Raisin in the Sun underscore the powerful presence of Black voices in American theater. With rare shots of Harlem life, literature, and performance, this film documents the enduring contributions of African American artists to U.S. culture and history.
Mike Tyson escaped a life of poverty and petty crime to make a name for himself, becoming the youngest Heavyweight Champion of the World and a household name—but his rise was followed by a very public fall. In this remarkably candid portrait, the boxer addresses his controversial past, including the rape charge that sent him to prison and his struggles with substance abuse, while also detailing his ultimate recovery and comeback.
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