Where's the girl? Can you hold her for me? I need her now.
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Adulta
Garota
Padre
Coroinha
John
Mãe
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
An attempt to bring texts from Dante's "Divine Comedy" to life. Nine episodes from the Inferno with a concluding episode from the Purgatorio.
Tells the story of Curt Garrish, a respected student who decides to take matters of cleansing the world into his own hands on the final day of the semester in 1975 in one unforgettable violent act.
After figuring out that his fellow students and first year of school weren't exactly what he'd hoped for, college student, Curt Garrish, decided to take matters into his own hands to prove to everyone school wasn't all fun and games.
An Imperial Message is a 1975 Hungarian experimental film directed by László Najmányi. The 'story' was based on Franz Kafka's short story Eine kaiserliche Botschaft.
A failed mystery writer reflects on his life which in turn affects his encounter with domestic abuse.
Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
Danielle, a vibrant young woman, was forced into servitude after the death of her father when she was a young girl. Danielle's stepmother, Rodmilla, is a heartless woman who forces Danielle to do the cooking and cleaning, while she tries to marry off the eldest of her two daughters to the prince. But Danielle's life takes a wonderful turn when, under the guise of a visiting royal, she meets the charming Prince Henry.
Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
During the 2021 lockdown, I directed this short film as an intimate visual diary: a tribute to dance, music, and the queer desire to be seen. Inspired by Andy Warhol’s workshop spirit, the shoot became a stage where we played at being our own celebrities, exploring difference as affirmation. Three years later, this piece returns with a new voice-over—an echo of that creature who, even today, insists: “I am a star.”
Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
An exorcist heir and an immortal from the Blood Tribe cross paths during an investigation, uncovering past-life entanglements while uniting to stop a powerful villain’s plan to take over the world.
When a lonely artist becomes obsessed with a stationary bike in his basement, he begins to suspect a mysterious presence is haunting him.
Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.
An exchange student in Eastern Europe enters a realm of unsettling phantasm.
A conversation between reality and consciousness.
