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From the streets of Bristol to the caverns of London and beyond, BanksyDoc finds the truths and explores the impact that the world’s most famous graffiti artist has had on the art world, on the expression of protest and satire, and on the perception of what you can do with a spray can and a stencil. Furthermore, this documentary explores the highly active art collector's world and how the celebrity factor shockingly influences value.
Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, political statements and identities, leading to one of the art world's biggest unanswered questions- who is Banksy?
Richard Hambleton was a founder of the street art movement before succumbing to drugs and homelessness. Rediscovered 20 years later, he gets a second chance. But will he take it?
"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).
"5 Sides of a Coin" is a comprehensive overview of the worldwide cultural movement of Hip-Hop.
Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.
Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.
Wall Writers promises unprecedented access to the early years of American graffiti. Interviews with TAKI 183 and CORNBREAD, along with other legendary artists, illuminated a time when a new form of wall writing emerged from dilapidated city neighborhoods.
Pasha and his mischievous friend Dan arrive from their provincial hometown to Moscow. Chasing a dream of a whole new adult life, they get to meet the city crew of graffiti writers. Being inspired by the coolest street artist of the city, Pasha starts naively dreaming of becoming a part of his crew. For the sake of achieving the goal, he's ready to make it as far as possible.
The film discusses the cultural impact of "pichação", a Brazilian form of graffiti, on the streets of São Paulo and its international influence as one of the main cornerstones of Street Art.
Some argue that modern graffiti was born in Philadelphia, where the pioneers of wall-writing became citywide celebrities during the late 1960s and early 1970s. Graffiti eventually consumed the city, and a new mayor made it his top priority to fight back. In the process, the city's Mural Arts Program was born. Philadelphia is now a great outdoor museum. Yet graffiti still thrives, with new writers always ready to replace those who are caught or quit.
Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.
Kings And Toys is a documentary about graffiti, its culture and living with it. Featuring interviews with tons of writers from the U.K., the U.S and Europe, including graffiti legends like Goldie, Loomit, Seen, Futura 2000, Case 2 and Mode 2. The film originally went out on the U.K’s Channel 4 – in 1999.
This film is a portrait of New York in the 1980s by famed photographer Steven Siegel, including footage of the subways, the parks, Times Square and other neighborhoods. The film is narrated by teenagers of that era.
From Henry Chalfant, the director genre defining documentary Style Wars, comes what was intended to be the first installment in a regular television series on New York's bludgeoning hip-hop culture, with a specific focus on graffiti. Funding fell through but the material was just to good be left to languish. Chalfant put together what he had and, like Style Wars, it continues to stand as a document of a culture in blossom.
First broadcast in 1987 on the UK's Channel 4, Bombin' is a documentary about Afrika Bambaataa's Zulu nation bringing American hip-hop culture to the UK for first time. The main focus is the graffiti art of Brim and the variety of reactions he is faced with from the British public and press.
As the walls of Cuba's ageing infrastructure continue to crumble, a burgeoning street art scene is born in Havana. Murals of hand-painted masked character – Supermalo – with the tag “2+2=5?” have begun to appear in seemingly every corner of the heavily foot trafficked city.
The third and final episode of the Dirty Handz trilogy was released in 2006, but all events took place before 2001. This video symbolises the culmination of the controversial activity of the graffiti artists through a retrospective look at the actors. The film is entirely made by members of the SDK crew and follows a European tour of one of their members, tired of the monotony of the Parisian environment. There is an analysis of the different operational techniques writers use in each country.
Banksy’s work now reportedly changes hands for millions. But he puts up his street art for free. Have you ever wondered what would happen if you got your hands on one of these? Does it mean you’ve found a winning lottery ticket or just scraped some worthless crap off a wall? Going up against the Art Establishment, Critics, Auction Houses, Gallery Owners and Authentication Boards in a quest for the elusive meal ticket, two filmmakers unwittingly gatecrash the murky and protective world of Banksy. “HOW TO SELL A BANKSY” raises questions of ownership, authentication and the true value of art itself. Through all the chaos and incompetence comes a modern-day, true-story, crime-theft, comedy-caper.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
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