Saadia discovers that she is the daughter of a rich man and has a huge inheritance after his death.
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حسين حشمت
سعدية
الباشا
زكى
بهيجة
زوجة حسنين خال سعدية
بسيونى
حسنين
صفوت
Seize the Day is about a man, Ray Stevenson (James S. Cacciatore) who had dreams of changing the world, but through some poor decisions he made in his life he has lost everything. Frustrated and dying of cancer he blames one man for his misfortune, his business partner Jon Peterman (Jay E. Salsberg). To get revenge he storms his former office building and takes him hostage. At the same time throughout the city high power businessmen are getting knocked off one by one. And its up to a Cal (David J. Plescia) a rookie Detective and his veteran partner Burke (Jay Storey), to solve these murders and how they tie into the recent hostage situation.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
A young RAF pilot tests his father-in-law’s prototype supersonic aircraft to the limit, at a time of intense development in the field of aviation, just as commercial jet airliners are about to enter service.
A British scientist is discovered to have been passing information to the Communists, then kills himself. Another scientist decides that they might have brainwashed him by a sensory deprivation technique, but he doesn’t know if someone really can be convinced to act against their strongest feelings. So he agrees to be the subject in an experiment in which others will try to make him stop loving his wife.
Warsaw, Poland, 1953. Mr. T., a renowned writer, lives in a hotel and earns his living by giving private lessons.
An industrial plant gets into difficulties. The factory owner then decides to sell the company and makes all the employees redundant. How do the dismissed employees deal with the new situation?
Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.
“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.
Plagued by cluster headaches that turn his life into a living horror, Adam secretly seeks euthanasia as a final escape. When Evelyn discovers his plan, they are forced to confront an impossible choice.
The events revolve around the character of the girl Nemat (Sabah), who aspires to have a prosperous life to compensate for the suffering she has endured. Neamat pretends to be rich to lure the wealthy young man Hussein (Shukri Sarhan) into falling in love with her. Nemat's plan faces many difficulties and challenges as events unfold.
Ismail Yassin is in desperate need for money. He borrows from the wrong people, get framed for murder and goes to prison.
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A famous actress retires and marries a rich man a customary marriage. Then his family forces him to divorce her. He waits till she gives birth and steals the marriage paper and escapes. Then she kills him with his new wife and is sentenced to imprisonment and her child is adopted by a family.
After the death of the girl's father, Berlanti, her means of life become more limited and her mother falls ill, so Berlanti is forced to work as a singer so that she can be treated. The lawyer Sami marries her, and as events unfold, Berlanti sees that she is standing in the way of Sami's success. She sacrifices her reputation so that he can leave her. He believes this and expels her. He marries the girl, Samiha, and as events develop, Berlanti is accused of murder.
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.
Two chorus girls at the Pleasure Garden Theatre follow different paths in love and fortune.
The efforts of test pilot John Mitchell to make a better life for his wife Mary and their two children seem doomed to failure and he blames himself. At the Conway Aero-Manufacturing Company of Wolverhampton, Mitchell is to take the company's new rocket-propulsion transport plane up for tests, fully loaded and carrying two important passengers - Ministry official Crabtree and buyer's representative Ashmore. Mitchell learns from his boss, Reg Conway, that if Ashmore does not recommend the plane, the company will be out of business and Mitchell out of a job, since the plane is not even insured as the firm's entire capital is tied up in the plane. Aloft, an engine catches fire and the passengers and other crew bail out, but Mitchell refuses to obey orders to jettison the plane in the Irish Sea.
Sweet Conversation, based in 1956, surrounds the journey of Millie, a formerly poor woman, who marries into a wealthy family. She finds that her identity becomes questionable when being surrounded by friends who know little to nothing about her. As she fights to impress her knew social circle, Millie only alienates herself and begins to pine for her circumstances before marriage.
The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
