This film is about a conversation between a woman and an old house.
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‘Recrudescence’ takes place in a gothic, dystopian reality wherein a patriarchal judiciary removes the anger of women within whom it is deemed excessive. This is the case for Audrey, a writer of philosophy. But when Audrey’s husband tries to capitalise on her state, her anger returns in an unusual form...
By fabricating her biography, Luo Su, a young Chinese white-collar worker from a low-income family, hopes to wed Mr. Win, an alluring bachelor. But when her mother's shocking TV interview exposes her deceit, she loses everything and ends her own life. Left in limbo, she is mystically given one last opportunity to alter her fate within 72 hours - albeit within the body of a man.
Two men who have been friends for quite some time and who live in different cities maintain a correspondence with Super 8 film reels that they occasionally send to each other. One of these film reels shows a woman who reminds the addressee of a former girlfriend. Immediately and without paying attention to his obligations to the company, he drives the company car to the city of his childhood friend, 780 km away. There he finds out that she has been the secret lover of his Super 8 friend for years. After about three or four weeks, which they spend on the coast of another country without any significant difficulties, the lover of the childhood friend rows his boat alone across the Atlantic after an obviously frame-up rescue operation.
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Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.
Moses searches for history into palletes.
A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
A political assassination leads to division and chaos.
Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
Inside a block of flats, a young woman decides to act about something concerning her for a long time.
A short film about a telephone engineer and his son as they both attempt to understand the past and the future.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
In his Miami studio, built as a solar observatory, a famous painter lives alone, without a wife or children. His only obsession is to paint at dawn. But for some unknown reason, as he prepares to finish his last canvas, that morning the sun does not rise.
A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.
Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.
The story takes place in the year 1977 about the hero fleeing into the forest during the time when soldiers, police suppressed the communists. One day he meets the first villagers, everyone is afraid, but when the hero observes and analyzes that this villager is not disguised. A true villager Little knowledge due to loneliness of having to watch the spot alone, the hero tells the villagers to come back and forth. They are close to each other. It can be seen that only political ideology can divide us. One day the villagers suddenly didn't come as scheduled. The protagonist goes looking for the villagers. making the hero see bad things again
A hen questions the meaning of her life on a farm.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
