This film is about a conversation between a woman and an old house.
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"statues of yesterday" is a structural film that explores the nature of memories and their relation to time.
A man trapped in an aimless routine becomes the spectator of his own life as he wanders through the urban landscapes of his city in search of something that gives him meaning. Between memories and ghosts, he faces his doubts and longings, questioning what is real and what is just a projection of his loneliness.
A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.
In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
A dreamlike depiction of fleeting aspirations.
A depiction of the varying passage of time.
A teenager contemplates his relationship with God and others as his days are filled with loneliness.
A pathetic love letter.
A poem in tap.
A photographer explores a city, contemplating the ethics of her medium.
A night of tortured and solitary sleep, in which fears unfold and a bell tolls.
Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.
Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.
After going through an emotional breakdown, a woman tries to realign herself before deciding if she can take on another job.
Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
A short film by Bryce Hodgson.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
Mina, a battered daughter, has left home to separate herself from her father's constant abuse and pain. As she scoured the streets of Manila, where she met Denise, a free-spirited girl who introduced Mina to the reality of what reality meant.
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