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The hotel Gondolín is home to some 30 transvestites who practice prostitution as the only option to survive in a society that excludes them.
Zeal & Ardor catapults Swiss musician Manuel Gagneux from the underground to the world stage. Religion, racism, segregation and appropriation: Gagneux makes music against taboos. But being a leader against his will scares the introverted artist. Can he remix the game?
The most isolated metal band in the world, Southeast Desert Metal, and their Aunty Kathleen, share ancient Arrernte culture with the world through song and painting.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.
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A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
Welcome to Our Neighborhood is the first video album by American heavy metal band Slipknot. It was released on November 9, 1999 by Roadrunner Records and later reissued in DVD format on November 18, 2003. Characterized as a band's home video, it features a mixture of live performances footage of the songs "Surfacing", "Wait and Bleed", and "Scissors", interviews, and music video of "Spit It Out". Additional concept imagery and interview footage is included on the film, while the DVD version features more bonus material.
A mix of fiction and documentary, "Evita Capitana" takes place in the final of the 1951 Argentina's soccer championship, where Banfield faced the then imposing Racing Club. An important political figure sides with Banfield, representing the humble and needed, but power thinks otherwise.
Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991
A look into the glory days of the Dutch (extreme) Metal scene.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
Remembering his old memories, he will leave a photograph in every place where he was happy.
A prophecy foretells that when the Blood Moon rises, a chosen ancient vampire will gain their new powers to enslave all living beings. Only few know of this prophecy, can they stop her before it is too late? and what will it cost when they do?
For many years, Buenos Aires, Argentina, was one of the best places in the world for a film buff; but from the mid-sixties onwards, successive authoritarian governments shaped the will of the spectators, dictating what could be seen and what could not, so that the true cinema lovers, in their desire to watch films, had no choice but to embark on the most extraordinary and strange adventures.
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