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The third production in a series of Monoteater productions on the theme of "A Man's Life". In its first year, the theatre, which started in 2009, dealt with the early stages of a man's life in the monocomedy "The Husband", in which Jan Uuspõld explored in depth the differences between men and women. In March 2010, Monoteater staged the monocomedy "The Father", which took the audience into the sometimes crazy period of a young man's life, when a big change is about to take place - a baby is about to be born into the family. In April 2012, the audience was introduced to the next important stage in the man's life - a man and a father about to become a grandfather.
Pierre and Aline, in their fifties, decide to take advantage of their guest house one last time by inviting friends. It's the turn of Max, Pierre's childhood friend, and his wife Charlotte to be invited. The week promises to be beautiful, between the Avignon Festival and good food and drink. But how can we keep these childhood friendships alive, when the life paths of each of them have diverged over time.
Young William Shakespeare is forced to stage his latest comedy, 'Romeo and Ethel, the Pirate's Daughter', before it's even written. When lovely noblewoman Viola de Lesseps auditions for a role, they fall into forbidden love — and Shakespeare's play finds a new life (and title). As their relationship intensifies, the comedy soon transforms into tragedy.
A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.
9-year-old Jewish boy Jimmy dresses up as a Sheep for a school play, much to the chagrin of his mother. On their way to school, Jimmy and his mother suffer through a series of unfortunate mishaps that see them in a state of stress and pushing for time.
Enrico, a traveling salesman who lives in a room in Amalia's house, returns from a long trip to find that his room has been turned into a funeral chamber for the death of Gennaro, the woman's husband. Shocked, the man confides his fears to a doctor, who replies that the only real fear is that of the living, not the dead.
Attilio and Emilia are two newlyweds who love each other madly despite the extreme poverty in which they live. Their relationship is contrasted by that of Domenico and Sofia, the owners of their house, who live in constant conflict. When Christmas arrives, despite their poverty, the two young people decide to give each other gifts: Emilia agrees to cut and sell her long hair to buy a chain for her husband's watch, while Attilio sells his watch to buy a hair clip for his wife.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
If you ask him, "Can you do a comedy show about war?" Jeremy will say yes, because war is great! So he dug deep, dug deep, and dared to answer the questions you no longer dare to ask! Are we really protected by cops on rollerblades? Is Daesh really a start-up on the rise? Should companies that made their fortune thanks to the Nazi regime feel guilty? Can you be a humanitarian and have a teak terrace? He will also give you anti-terrorism training and explain why Al Qaeda without Bin Laden is like Apple without Steve Jobs.
The "at peace" Dieudonné no longer opposes the system: he absorbs and transcends it. After sating spirits with laughter through unworthy and immoral characters, the artist becomes a gangster of beauty and a slave to grace.
Romain
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