Tartuffe is a hypocritical impostor who manages to manipulate Orgon, a wealthy widowed bourgeois, by feigning devotion. Orgon ends up offering his daughter Mariane in marriage to Tartuffe, while he disowns his son Damis and intends to donate all his possessions to Tartuffe. Elmire, Orgon's young wife, whom Tartuffe is courting, will attempt to expose him, while the royal family intervenes to prevent the ruin of Orgon's family.
An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.
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Friday, July 4 marks the end of a chapter for Sacha: her final day of drama school and the beginning of the long road to finding her place as an actress. That very evening, she heads to the Avignon Festival. She sets off in her van with four friends - a journey to come to terms with failure and to prove, to her family and to herself, that she made the right choice.
A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?
Arrived in an abandoned place or emerged from a society at a standstill, men and women organize themselves in their own way, borrowing what they find on the spot and in the memory of what surrounds them, the theater and the people... In the superb mineral setting of the Boulbon quarry, Philippe Quesne, inspired by a work by the painter Jérôme Bosch, orchestrates a joyful retro-futurist epic to meet the worlds to come, between environmental science fiction and contemporary western.
Fary is back on stage to probe, uncompromisingly, the torments of couples and love. After two previous shows broadcast in over 190 countries, he returns with a new show: "Love me if you can". With this new performance, Fary demonstrates an extraordinary ability to reinvent himself while continuing to subtly address the themes that are dear to him.
Like an indelible memory, this Olympic closing ceremony will be marked by audacity, fraternity and emotion. In the heart of the Stade de France, athletes from all over the world will represent their countries one last time in an incredible moment of celebration and sharing. With their eyes riveted to the flame, the emotion will be immense as we close the great Olympic book of Paris 2024.
In the final special of her historic career, Ellen gets candid about fame, parallel parking and her life since getting "kicked out of show business".
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