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An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.
Jerry Ryan, a lawyer, is devastated after his divorce. Desiring to make a change in his life, Jerry moves to New York in the hopes that it will be good for him. Jerry's life takes a different turn when he meets Clara Mosca, a free-spirited woman in New York.
A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini. Rarely performed in its original version – the score was reworked by Rameau himself in 1754 –, this daring work plays on contrasts and expressiveness, as in the famous “Tristes apprêts”. The aria is sung by Télaïre mourning the death of her fiancé Castor, killed in battle, before his twin brother Pollux descends into the Underworld to ask his father, Jupiter, to bring him back to life. While this opera celebrates brotherly love, its prologue poses an essential question for director Peter Sellars: how do you stop a war and its attendant hatred and resentment?
Tartuffe is a hypocritical impostor who manages to manipulate Orgon, a wealthy widowed bourgeois, by feigning devotion. Orgon ends up offering his daughter Mariane in marriage to Tartuffe, while he disowns his son Damis and intends to donate all his possessions to Tartuffe. Elmire, Orgon's young wife, whom Tartuffe is courting, will attempt to expose him, while the royal family intervenes to prevent the ruin of Orgon's family.
If you ask him, "Can you do a comedy show about war?" Jeremy will say yes, because war is great! So he dug deep, dug deep, and dared to answer the questions you no longer dare to ask! Are we really protected by cops on rollerblades? Is Daesh really a start-up on the rise? Should companies that made their fortune thanks to the Nazi regime feel guilty? Can you be a humanitarian and have a teak terrace? He will also give you anti-terrorism training and explain why Al Qaeda without Bin Laden is like Apple without Steve Jobs.
Jim Gaffigan provides the skinny on everything from appetite suppressants to raising teenagers.
The Marrakech du Rire is back in 2022 for its tenth edition, an opportunity to celebrate 10 years of laughter, madness, and outrageous sketches at the Badii Palace. To celebrate this anniversary, Jamel is offering an exceptional gala with even more surprises and extravagance, a transformed stage, and the participation of numerous guests and talents.
It’s summertime, 2021. Isabelle Huppert plays Lioubov, Chekhov’s unforgettably heroine in The Cherry Orchard. In a near theatre, Fabrice Luchini recites Nietzsche. Both actors are premiering at Avignon’s Festival. When they leave backstage to stand out on stage, they are completely transformed. As everything seems utterly natural, audience does not imagine what happened before. By following their daily lives during the weeks preceding the premieres, Benoît Jacquot brings a singular perspective of the two actors and shows them like we’ve never seen before.
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