Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.
It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.
Mad scientist, doctor Ten Brinken artificially inseminates a prostitute with a dead man's semen. The resulting child grows up to be a beautiful, evil woman who turns against her creator.
Hanns Heinz Ewers' grim science-fiction novel Alraune has already been filmed twice when this version was assembled in 1928. In another of his "mad doctor" roles, Paul Wegener plays Professor Brinken, sociopathic scientist who combines the genes of an executed murderer with those of a prostitute. The result is a beautiful young woman named Alraune (Brigitte Helm), who is incapable of feeling any real emotions -- least of all guilt or regret. Upon attaining adulthood, Alraune sets about to seduce and destroy every male who crosses her path. Ultimately, Professor Brinken is hoist on his own petard when he falls hopelessly in love with Alraune himself. Alraune was remade in 1930, with Brigitte Helm repeating her role, and again in 1951, with Hildegarde Knef as the "heroine" and Erich von Stroheim as her misguided mentor.
In 16th-century Prague, a rabbi creates the Golem - a giant creature made of clay. Using sorcery, he brings the creature to life in order to protect the Jews of Prague from persecution.
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.
A doctor's research into the roots of evil turns him into a hideous depraved fiend.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
A man spends the night in the Chamber of Horrors of Madame Tussauds.
A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.
A spiral of dreams and ages unravel as two celestial characters awaken and transmutate into a mythological being.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A prophet who longed to look upon his deities. A daunting journey to a mountain peak. A confrontation with gods too powerful to name. This is the story that inspired Peter Rhodes, who worked as a filmmaker and artist during the 1920s. Few people know of his work, and it's only through luck and perseverance that we have been able to track down the elements for this "lost" film. Rhodes' films were created using silhouette animation, a technique perfectly suited to depict Lovecraft's mythic Dreamland stories. The filmmaker's involvement in New York City's occult and literary scenes provided him with a select audience for his work. Rhodes was especially influenced through his relationships with occultist Aleister Crowley and writer H.P. Lovecraft, but it was personal tragedy that moved him to produce "The Other Gods: A Tale of the Dream Cycle," his most powerful film.
A miser dies of shock when the ghost of a poor woman appears.
A man discovers that he has two personalities--and one of them is a notorious strangler.
Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."
A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.
On November 18th 2011 a small Danish film crew disappeared in the woods of northern Sweden without a trace. One year later, their footage was leaked by a hacker group now known as Pandoras. This is the crew's unsettling and disturbing footage.
A murdering skyjacker parachutes to safety and poses as a novice monk in an isolated New Mexico monastery.
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