Kids will be kids
Two gender confused youth question the binary that surrounds their every day.
Trailer
The lives of a motherless young man, who's just starting to find interest in women, and his physically abused, poverty stricken friend, are mixed with more or less innocent childhood experiences and challenges most their age experience.
Sofia was forced to leave her home and is now homeless. The young woman spends her days wandering the alleys of the University of São Paulo campus, where she offers her services as a tattoo artist. One ethereal night, her wanderings mingle with memories of an unfulfilled love. Wrapped in a dark, melancholy atmosphere, the film contemplates the fragility of a youth left behind. In a story that transcends borders, the life of an impenetrable fictional Sofia is imbued with the experiences of the actress of the same name who plays her. As enigmatic as an oracle, the original Portuguese title evokes the impermanence and ambiguity that haunt Sofia. She is carried away by perpetual motion, her future forever unknown.
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Álvaro Norte, a celebrated composer and cellist, invites his talented student Mauro to be his assistant. However, Mauro reveals he has other plans that would separate them. In response, Álvaro confines Mauro in a room, using his pain as inspiration for a new cello composition. Despite Mauro's resistance, he inadvertently ends up fulfilling Álvaro's artistic vision.
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After his father's death, Mauro, a farmer from the countryside, finds himself facing an unexpected freedom. Torn between guilt and desire, he confronts his fears to love another man for the first time.
After a love affair full of gaslighting comes to an end, Soojin is haunted by the green-lit girl she slept with in a drunken stupor the night before. Her body was glowing; she literally emitted green light. Soojin's friends scold her for losing her mind, but suddenly a UFO appears in the sky of Seoul and starts attacking everyone. Will Soojin be able to find the green girl in the middle of hell? The latest alien-invading sci-fi action-romance blockbuster from Jung Inhyuk, who has created his own genre by mixing minority stories with B-grade humor and clichés.
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Andrew returns to his hometown for his mother’s funeral, a journey that reconnects him with old friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam—a girl also struggling with various maladies—opens up the possibility of rekindling emotional connections, confronting his psychologist father, and perhaps beginning a new life.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Yi-wol, living in a convent, aims to win a prize at a concours to study abroad and escape. She befriends Jung-yeon, who shares the desire to leave their village, and their bond deepens into something more. However, Yi-wol’s feelings of inadequacy lead to an argument.
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