Crying may last for a night...
A formally free poetic documentary filmed through a summer depression in northern Portugal.
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Himself
Herself
Gathered together for one night, the legendary names of Reggae and more meet at Fort Charles, Jamaica for a musical event that would reverberate around the world!
James, giving himself 12 months before he has "a license to kill himself," sets off to the Amazon rainforest with hopes of finding a shaman who can save his life.
Featuring exclusive interviews with the leading titans of rock that include: Metallica, Guns N' Roses, Slipknot, Korn, Avenged Sevenfold, Rob Zombie, Five Finger Death Punch, Prophets Of Rage, Greta Van Fleet, Halestorm, and many, many more, "Long Live Rock" is a deep dive into the fandom of this often misunderstood but beloved genre of music.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
This was the band's second performance at the music festival and their first since the success of 'Nevermind' had elevated them to the position of what magazines called the "biggest" rock band in the world. It was also sadly their final concert in the United Kingdom.
Documentary portrait of the poet Karla Erbová is a confession of a creative personality who, despite many twists and turns in life, remains true to her ideals and moral values. We witness the final year of the author's life, during which, even at the age of ninety, she continues to engage in public appearances and, above all, actively works on her craft. Through letters that Erbová wrote to her friend, the film offers an intimate, often self-deprecating reflection on old age, solitude, and relationships with loved ones, as well as an indomitable faith in poetry. The film "Ulita" not only highlights the pivotal moments of her life but also serves as a sociological exploration of the lives of the oldest generation.
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This passionate and affecting performance documentary celebrates the virtuoso artistry and joyous community of contemporary bluegrass music. Musically depicting many of the traditional roots and some of the more far-reaching branches of the genre by employing verite footage, thoughtful interviews, and vividly captured extended performances to weave a seamless tapestry that transports and enraptures the devoted fan and newcomer alike.
Using home videos recorded by her voice coach, Diana takes us through the story of her life.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
