Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".
SpongeBob and all of Bikini Bottom face catastrophe—until a most unexpected hero rises to take center stage.
Ayumi Hamasaki Countdown Live 2004-2005 A is a music DVD of Japanese singer Ayumi Hamasaki's (浜崎あゆみ) live New Years concert.
Hearts Ann and Nancy Wilson returned to their hometown of Seattle to stage a celebration of the Christmas season, gathering a few of their friends to join them in singing holiday classics, personal favorites and some of their own hits. Special guests Shawn Colvin, Sammy Hagar, Richard Marx and Pat Monahan from Train joined HEART for this once-in-a-lifetime concert, which was taped on Dec. 12 2013 at the beautiful Benaroya Symphony Concert Hall in Seattle. The Wilson sisters performed an array of holiday songs written by Joni Mitchell, Harry Nilsson, Bob Dylan and Hagar in their Christmas set as well as some of HEART s favorite songs. Colvin, Hagar, Marx and Monahan provided additional vocals on the tunes and/or sing duets with Heart.
Like the hit album that inspires its name, Supernatural Live brings journeyman guitarist Carlos Santana back into the mainstream by surrounding him with younger superstars eager to bask in his formidable musical presence. Resuscitating stardom through sheer proximity can translate to forced pairings or superfluous music making, but credit Santana himself with minimizing such missteps. A fusion artist before the term was coined, the erstwhile Mexican street musician long ago extended his technical reach and broadened his stylistic palette by hungrily assimilating different styles of music. Accordingly, he shifts gears easily, whether soloing behind Dave Matthews, trading lines with legendary saxophonist Wayne Shorter, or spicing up a hip-hop excursion with Lauryn Hill.
Japanese rock band Ziggy comes to London and gets attacked upon arrival at the hotel after a recording session. The musicians barely escape the attack; however, soon they learn that their producer has been murdered, and they are the suspects! Chased by police and some mysterious organization, they find shelter at a local rockers' place and even give a performance there; but it is not too long before their pursuers appear again.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
A collection of concert performances by Johnny Cash from the 60s to the 90s.
A documentary made for television that looks back on the development and rapid rise of Oasis from being a band practicing nightly in the Boardwalk to one the biggest British bands of the last thirty years. Building from the formation of the band (with Liam apparently just fed up waiting for other bands to release records and decides to do something himself), the film uses contributions from key people really well to tell the story in an engaging way.
On July 21, 1983, the legendary Diana Ross took the stage in New York's Central Park before an audience of over 800,000. Soon after the entertainer began, pouring rain and heavy wind threatened to put an end to the show, but Diana pushed on for much of the set, urging the drenched crowd to remain calm and stay with her. Eventually the torrential storm put an end to the performance, but not before Diana promised her fans she would return the next day. True to her word, Diana performed the entire concert again on July 22nd for the people of New York.
The documentary-television director duo Jolán Árvai and László Sántha, while making an entertaining documentary-report montage about the rock life of the period between 1957 and 1973, were mainly curious about how and why the movement's sad metamorphosis began. What intention and what mechanism of action resulted in the withering away and slow death of progressive trends; the most vital ones becoming manipulable and commercialized? The filmmakers do not tell the answer, and they do not tell anyone. They leave it up to the viewer to decide whether they want to answer at all. Because if not, the seventy-five minutes of Rockfogyatkozás will still pass quickly. It carries within itself the possibility of a multi-part series offering an optional experience, with which several layers of viewers can be satisfied at the same time.
If you're looking for some no-nonsense hard rock riffage, Motörhead - Stage Fright is your destination. The power trio, celebrating their 30th Anniversary with the release of this concert video, have a lean, muscular musical attack that clearly influenced not only heavy metal (with its bludgeoning thunder) but also punk rock (with its no-frills minimalism). Filmed in Düsseldorf, Germany on 7 December 2004. Setlist: 01. Dr. Rock 02. Stay Clean 03. Shoot You In The Back 04. Love Like A Reptile 05. Killers 06. Metropolis 07. Over The Top 08. No Class 09. I Got Mine 10. In The Name Of Tragedy 11. Dancing On Your Grave 12. R.A.M.O.N.E.S. 13. Sacrifice 14. Just 'Cos You Got The Power 15. Going To Brazil 16. Killed By Death 17. Iron Fist 18. Whorehouse Blues 19. Ace Of Spades 20. Overkill
1. Department of Youth 2. No More Mr. Nice Guy 3. Dirty Diamonds 4. Billion Dollar Babies 5. Be My Lover 6. Lost in America 7. I Never Cry 8. Woman of Mass Distraction 9. I'm Eighteen 10. Between High School and Old School 11. What Do You Want from Me? 12. Is It My Body? 13. Go to Hell 14. The Black Widow 15. Drum Solo 16. Gimme 17. Feed My Frankenstein 18. Welcome to My Nightmare 19. The Awakening 20. Steven 21. Only Women Bleed 22. Ballad of Dwight Fry 23. Killer 24. I Love the Dead 25. School's Out 26. Poison 27. Wish I Were Born in Beverly Hills 28. Under My Wheels Rock 'n' roll's favorite bogeyman is back. Known for his ability to merge exhilarating hard rock with darkly theatrical stage shows, Alice Cooper reaches new heights in this July 2005 performance at the Montreux Festival. While the visual spectacle delights the eye, Cooper's raw sound shocks the ear. This live concert is full of rock anthems plucked from his long career.
A Groovy 1960s Musical Take on Wilde’s Most Popular Play. Being Earnest takes place in a mod, 1960’s, Austin Powers-era setting. All of the brilliant wit in Wilde’s most popular play intact in this effervescent musical about two young couples and the societal conventions, over-bearing mothers, and misplaced handbags in railway stations that they must overcome in the course of finding true love. The score is a sparkling homage to 1960’s rock groups such as Herman’s Hermits, The Dave Clark Five, The Rolling Stones, The Seekers, The Hollies, The Lovin’ Spoonful and more.
This biopic traces Elvis Presley’s life from his impoverished childhood to his meteoric rise to stardom to his triumphant conquering of Las Vegas.
Live at Wembley is a full concert-performance shot in London during Beyoncé’s first solo international tour Dangerously In Love.
In the 1980s, a drummer is abandoned by his band just before they become rock superstars. Twenty years later, the drummer sees his second chance at stardom arise when he is asked to perform with his teenage nephew's high school rock band.
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.
Vocals, Guitar
Bass
Drums
Piano
Sax
No Trailers found.
