Enrique learns the hard way, that actions speak louder than birds.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
Brewster is an owlish, intellectual boy who lives in a fallout shelter of the Houston Astrodome. He has a dream: to take flight within the confines of the stadium. Brewster tells those he trusts of his dream, but displays a unique way of treating others who do not fit within his plans.
Courageous Cucumber travels and helps animals and birds.
When a love letter falls into Sara's hands that is not meant for her, but whose addressee remains unclear, her curiosity is aroused. The words on the paper have caused something in her to resound, which she wants to trace. The surprising path of feelings makes its way through the jungle of life.
Tom is anxious, he holds a secret in his human heart, a wing beat and a flutter and its bursting to take flight.
Jack Peterson, a widowed father of three young children, encounters Ginny Newsom, a wildlife biologist, whose mission is tracking trumpeter swans, a family of which settle in a pond on the Peterson farm. Could that be romance in the air?
Jerry, an awkwardly plump hummingbird, desperately tries to fit in with his siblings. But more often than not, he only weighs them down, literally. After accidentally destroying the family nest, Jerry is exiled to an old dead tree, never to be seen or heard from again. Family always sticks together though. So when a hungry house cat attempts to turn his siblings into a three-course meal, Jerry must set his sorrows aside and be the bird he was born to be in order to save his family.
A greedy little blue jay carries away whatever his beak can grasp. Berries, birds' eggs (nests and all), and even the sun in the sky go into his secret cache.
Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.
Two bumbling photographers are hired for a blackmail job—but their simple gig soon spirals into chaos and danger.
A single mom agrees to be the partner of a bird enthusiast for a birding competition but misunderstands the assignment and tells everyone she's his new girlfriend instead of just his teammate.
In a Buddhist temple, young monks begin their meditation when the master arrives. One of the children is distracted by a sparrow and follows the bird outside the monastery. Here begins a walk off the beaten paths that goes to the tour of his lifetime. When he has become an old monk, he returns back to the temple where young monks are waiting for him. One of them is distracted by a sparrow…
Matī Kütt’s experimental short animation plunges into the subconscious of a sick society. Through abstract, painted-on-film imagery—twisted pyramids, reverse tunnels, caged woodpeckers—a lone bureaucrat’s inner turmoil unfolds. Birds, oil, and surreal figures evoke existential entrapment, as the bureaucrat’s psyche becomes a labyrinth of alienation and absurdity.
The film is a children comedy about six fat boys who experience great adventures while fighting hunger. They realize what friendship means and finally turn into little men.
Sitting in Zoe’s beat-up Beetle, two girls chomp on their fast food. At no point do they look at each other. We don’t know why. They don’t acknowledge their rather… interesting attire. We don’t know why. But what they do is talk- about life, London, and pigeons. Having moved from France and a small English village, the girls have long dreamed of coming to the city. But now that they’re here, they’ve found themselves lost in the smoke. Zoe and Lady must push through the loneliness they both feel, and perhaps, in doing so, realise that yes - they are lonely in London. But they are lonely together. Flying Duo explores what it means to live in a new country, and the loneliness of migrating to a big city.
Seven-year-old Chloé imitates her big brother Théo doing tai chi on a snowy plain. A group of starlings are watching.
An infatuated debutante renews a Shakespearean actor's running feud with his leading lady.
Jacob tries to keep a tradition alive by throwing a Christmas party for his distant friends. The night takes a deadly turn when they brush off an antique Christmas board game. It proceeds to show him his friends aren't who they seem.
Touching, growing, caring, dancing. Seedlings climbing around fingertips, birds morphing into humans. But the tender touches slowly fade as the shadows grow and the witches of the forest start to disappear. Rooted in patriarchal violence, history keeps repeating itself.
Many years ago, on a faraway island, there lived a Sun Duck who protected his flock from evil powers. The Sun Duck had his loyal guardians who made sure the Sun evenly spread its energy on their flourishing land. The bliss continued until an Evil Witch learned of the Sun Duck's superpowers. She seized the guardians and stole the Sun Duck away for the only sake every living woman would understand: eternal youth and mesmerizing beauty. Today, nobody believes in old legends. Mandarin ducks peacefully reside on their island and abide by the law that prescribes "no flying on the island" and "never leave the island". The Emperor is the only one who knows that the legend is true and that the next generation Sun Duck has been born. He keeps it in strict secrecy, but the Witch also knows that the legend is true and she is coming back for her next victim.
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Enrique
