Paula
Marcelo
Luciana
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Raúl is an unemployed cattleman that lives in an isolated house on the fields. The landscape of pastures is being superimposed by huge soy plantations. Devastated by poverty, he joins a gang of other peasants that steals cattle during the darkness of the nights on the pastures.
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A country man spends his days in the lonely, cold darkness of winter, going over his entire days with a marked routine, until the day begins again.
At the Philharmonie de Paris, Brazilian music legend Gilberto Gil revisits half a century of his career in a gentle, committed, and eclectic concert.
The Girl from Ipanema charts the progress of bossa nova (new wave), and the Brazilian singer Astrud Gilberto's musical development and rise to fame. Best of all, at the end of the documentary the mature Astrud answers the question that must surely be on every viewer's mind: Was she sick to death of singing The Girl from Ipanema?
The film reveals the creation of poet Dorival Caymmi's musical works with testimonies from researchers, journalists and friends who lived with him and were able to enjoy his wisdom and talent.
For generations, Sa Bastida has been much more than a house: it has been a refuge, a witness, and a vital centre for the Barceló family. Today, however, solitude has settled into every room, and Joan, the last one who remains, carries the living memory of all that it once was. As the arrival of new rhythms, infrastructures, and urban landscapes threatens this fragile environment, the documentary delves into the tension between the persistence of the past and the relentless advance of modernity. With an intimate and contemplative gaze, Dear Sa Bastida portrays not only the physical decay of a home, but also the emotional and symbolic value of a space that is quietly fading away. It is a tribute to the spaces that disappear, to the people who endure within them, and to the need to preserve memory before progress completely erases what defines us.
Religiosity is an immaterial wealth that preserves the identity of a people. Documentary filmmaker Patricio González Colville searches for the ancestral rites that characterize the relationship between God and man from the countryside. A strange mix of faith, devotion, pagan festival, wine, submission, violence and sorcery make up these rites whose origin has been forgotten but tradition does not allow losing. Cultural mixes over time have given rise to the peculiar current peasant religion. The documentalist's camera allows the country man to express his personal experiences, beliefs and divergences with divinity in his simple language. Through five chapters, the documentary searches the Maule Region for the descendants of Adam, expelled from Paradise to cultivate the land. What kind of faith does this man have left and how does he manifest it? The documentary presents his perspective on this controversial issue.
Burt, a 69-year-old musician with Parkinson’s, has his life turned upside down when a man from New York shows up claiming to be his son. Having always dreamed of being a father, Burt embraces Sammy and invites him to stay for the weekend, where he lives with his grumpy landlord.
