Tells the tale of Lithuanian post-war history.
Between February 4 and 11, 1945, three months before World War II ended in Europe, US President Roosevelt, British Prime Minister Churchill, and Soviet leader Stalin met in the Ukrainian city of Yalta to discuss how the continent should be politically reorganized after the imminent defeat of Nazi Germany.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Following in the footsteps of two women in search of their origins, this documentary lifts the veil on a little-known page of the post-war era: the adoption, as part of a cross-border program, of thousands of children born during the French occupation of Germany.
A fascinating compilation of scenes showing diversity and disparity in 1940s China. The ancient Forbidden City and Great Wall are followed by Shanghai’s metropolitan skyline; primitive farming methods are juxtaposed with mechanised factories; children in rags are contrasted with models wearing the latest fashions; Nationalist commanders and Communist leaders vie for support.
This interactive infographic short documentary examines the human losses of the Second World War between 1939 and 1945 and the decline in battle deaths in the years since that most terrible war of human history. The 19-minute data visualization uses cinematic storytelling techniques to provide viewers with a fresh and dramatic perspective of a pivotal moment in history. The film follows a linear narration, but it allows viewers to pause during key moments to interact with the charts and dig deeper into the numbers.
A colorful travelogue of London's most historic buildings and the residual damage still left from WWII.
This first-person documentary provides an inside look into the terrifying and bloody events that shook Central Europe in the 1990s, as the filmmaker takes a trip along the road that once united the disparate states of Yugoslavia, from Slovenia to Macedonia. A film about memory, hatred, love and hope.
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Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.
The animated corpse of Moscow goes on after its inhabitants left. Filled with weeps and whispers of the mourning ghosts, torn apart with phone calls from distant countries and unfamiliar sounds, emotionally devastated and deserted, the city attempts to reconcile with its own voice.
A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
Martha Bieder is the last rubble-woman in Berlin Rummelsburg. Every day, rain or shine, she stands at the conveyor belt - as she has for decades - sorting through rubble. After a retirement party thrown for her by her male colleagues, she tells her story of being a rubble-woman in post-war Germany.
When artist Janet Biehl fell in love with radical American philosopher Murray Bookchin in the 1980s whilst editing his ground-breaking opus “The Ecology of Freedom”, she could never have imagined that it would one day take her halfway across the globe. Now, over 40 years later, Janet travels from America to the Middle East to witness something remarkable - how Murray’s ideas have ignited a female-led revolution in North-East Syria, where society is being rebuilt in the wake of victory over ISIS. Janet meets the women who are turning her late partner’s political theories into a modern reality, creating a grassroots communal democracy. Janet draws what she sees, and her illustrations capture the humanity of ordinary people in their struggle to self-govern. Now, at this critical moment for Syria and with this revolutionary project under renewed threat, "Threads of a Revolution" reveals a possible way forward for those prepared to fight for a new way to live.
This James A. FitzPatrick Traveltalks short visits the West German cities of Hamburg, Bremen, Munich, and Heidelberg. Included are scenes of World War II destruction that lingered at the time.
He built the mightiest army in history and selected its leaders. Eisenhower, MacArthur and Patton all obeyed his commands. George Marshall was the only soldier ever to receive the Nobel Peace Prize.
A couple returns to Aghdam, the city they once fled 32 years ago due to the war. It's a story about memory held in people, and about the small, powerful ways the past resurfaces when you finally face it.
The sinking of the German fleet interned at Scapa-Flow (Orkney Islands), June 21, 1919. We know that one of the stipulations of the armistice signed with Germany on November 11, 1918 was that that power's surface warships were to be "immediately decommissioned and interned in neutral or Allied ports, and remain there under the supervision of the Allies and the United States, guard detachments only being maintained on board". In fact, all the ships designated by the Allies - 11 battleships, 5 battlecruisers, 7 light cruisers and 50 destroyers - had, a few days after the armistice, been assembled in Scapa-Flow Bay, in the center of the Orkney archipelago, i.e. north of Scotland, and had remained there ever since, under the supervision of the English naval authorities, but under the effective authority of German Admiral von Reuter.
Willy Ronis lived his life between Paris and Provence capturing post-war life. From a historical shot to intimacy, his pictures speak of history and the idea of framing. He was the first French photographer to work for LIFE magazine.
Trailer
Partisan
