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This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.
A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.
A short film made for "Venezia 70 - Future Reloaded". A homage to Paulo Rocha and Kenji Mizoguchi, filming the director's two tombs, one in Tokyo and the other in Quioto.
Echo is a youngster who can't quite decide if it's time to grow up and take on new responsibilities-or give in to her silly side and just have fun. Dolphin society is tricky, and the coral reef that Echo and his family call home depends on all of its inhabitants to keep it healthy. But Echo has a tough time resisting the many adventures the ocean has to offer.
Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
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A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.
"Wolfe" is an intimate confessional from Nick, who learned through puberty that the imaginary friend in his head was real, and violent.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Shot in Quebec, Canada, The Subterranean Blackness of Roots is a 16mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration). The film seeks to show the sensory experience of the invisible life of stones, plants and the nature that surrounds us. It’s a dive into the heart of matter, the essence of the vegetal world and the nourishing earth.
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
"Five hundred years after first European contact, I find myself at the western edge of the continent. It's here, in a secluded part of the coastline that I encounter a series of petroglyphs carved at the water's edge." - Georg Koszulinski
What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.
Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.
Keifer Nyron Taylor captures the last days of his grandfather, Lloydie Plummer, exploring his violent upbringing in Jamaica, his close friends and the damage done to the family he built after migrating to the UK.
Stranded in Cold War-era Berlin, a British counterintelligence officer awaits the day his handlers will finally arrive to collect him. Given no information but a time and place, he diligently keeps his appointment, watching and waiting for something to happen; even as weeks turn to years . . .
