Just another person in this world.
A woman comes to terms with her life on her last day in town.
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The story focuses on high school girl Nagisa Yukiai who lives in a seaside town. She has believed her grandmother's story that spirits dwell in words and they are called "kotodama" (word spirit). One day, she strays into a mini FM station that has not been used for years. As an impulse of the moment, she tries to talk like a DJ using the facility. But her voice accidentally broadcasted reaches someone she has never expected.
Focusing on the self-narration and visual language of the mounted police, ‘A horse is a horse of course of course’ reflects on how police horses are treated as just another of the many apparatuses police use for the maintenance of social control systems and their legitimation. While undergoing a special domestication process aimed at suppressing their instinctive flight responses to fear, horses become a means to impose disciplinary power in return. Originally a two-channel video, ‘A horse is a horse of course of course’ invites us to question the distorted mainstream cultural definition of policing. To start engaging with an abolitionist practice also requires radically decoding and refusing the oversimplifying language that police speak.
A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. It's just an acknowledgment , not a denial of reality. Here are my paintings.
Breaking a mirror initiates five different acts in five different places; exposing shades of magic, politics, and systemic violence. The harm social systems are designed to inflict, the enforced disappearances in Turkey during the 1990s, the border politics of the EU, manipulative storytelling, and power struggles are evoked as the round Pendant attempts to become whole again with its gemstones scattered throughout the acts.
A forgotten faceless celebrity ascends into heaven along the path of self-discovery and through a land of faded memory.
Without any sounds, dialogues and with unknown actors, the images are the focus of this film. Images that want to awake, to question determinant moments, state of a system's languages, the morality of deaths, the immobility, the silence, among other subjects. Shot at the height of the Brazilian military dictatorship, it is an affront to the most diverse types of repression in that period.
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.
When a small town's killer strikes again, the town's sheriff works with the premier radio show host to find the killer.
"In his apartment full of works of art, in an intimate conversation, he (Charles Cosac) talks about all these rebirths. And also trauma, resentment, new projects and even death. And he claims to bring lessons learned from past mistakes to the new publisher." 'I have to act differently, otherwise the same thing will end up happening. I didn't come with a view of the past. I learned a lot in these years.'
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The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.
While restoring a fifteenth-century painting Julia reveals a hidden Latin phrase. A series of murders begin to rock her small world of art experts, patrons and restorers, and she finds that the mystery of the painting is interwoven with the mystery of the deaths around her.
A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.
A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.
In 1968 Roger Smith ate a peach during a break from work. When he was finished he took out a pocketknife and began carving the peach pit into a tiny pig. 43 years later the retired meter reader and cattle rancher from Culloeka, Tennessee, has carved hundreds of peach seeds into hummingbirds, stingrays, gospel choirs, entire villages, even a baseball stadium with more than 100 figures. "Given enough time," says Smith, "I don't think there is anything you can't make out of a peach seed."
3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.
M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?
Fred Taylor displays a number of items from the Building Centre's 'Inn Sign Exhibition' held in November 1936. Some signs in the exhibition date back to the reign of Charles II, while others are more contemporary.
Class barriers threaten the budding romance of two young lovers striving to realize their artistic ambitions.
A former circus artist escapes from a mental hospital to rejoin his armless, cult leader mother, and is forced to enact brutal murders in her name.
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