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Moth/Doctor
Welcome to the Generation Gap: an area with an often stormy climate and some interesting inhabitants - parents, for instance... and teenagers...
If a family goes through big changes while the children are growing up, it can take years for everything to settle down again afterwards.
In a karaoke bar in post-apocalyptic Los Angeles, an expired can of tuna fish and a fake Louis Vuitton purse encourage each other to believe in their artistic voices even if the world sees them as trash.
Smokedog goes about his day.
A bunch of friends are making a movie in an attempt to win the shortest film competition. But when people have to go to work, things get challenging. Can they finish the movie in time for the deadline?
Two ego-driven artificial intelligence maniacs Cosmo and Max, who are driven and designed to take over humanity, battle it out in a 1980’s Cyberpunk retro-video game world called ‘Game Over’, where the locations resembles a very real world. Can our Heroes, two Human game characters who are controlled by Cosmo and Max, escape this meta-reality and the clutches of the Metahumans ? A short film about Grief. The loss of family and friends during the Pandemic.
Asterix and Obelix depart on an adventure to complete twelve impossible tasks to prove to Caesar that they are as strong as the Gods. You'll roar with laughter as they outwit, outrun, and generally outrage the very people who are trying to prove them "only human".
4 Snowy Tales "Snowball Fight" "Winter Solstice" "Snowbound" "Little Bear and The North Pole"
Years after immigrating to the United States, Matt (Gabriel Berm) grapples with the notion of family. A call from his sister, Callie (Callie Morken), becomes the catalyst for a realization: he learns that family transcends borders and manifests in varied forms. The deepest connections endure physical separation, teaching Matt that what truly matters is the unbreakable bond they share, echoing louder than any distance.
Part of Max Fleischer's "Out of the Inkwell" series.
In Cold War-era West Berlin, American Coca-Cola executive C.R. 'Mac' MacNamara is tasked with playing babysitter to his boss' spoiled 17-year-old daughter Scarlett, who proves more difficult than anticipated when she reveals that she is pregnant by a Communist.
In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question.
An early, heavily Disney-inspired cartoon, written and directed by Kon Ichikawa. A bandit kidnaps a member of a concert audience as an act of revenge, and the concert's conductor, the Momotaro-esque Dangonosuke, goes to her rescue.
An artist is painting a sunrise at sea. After a few finishing touches he stands back and admires the painting. The sun immediately commences to rise. From all appearances it becomes very warm as the sun rises, and the artist is seen to throw open the window and fan himself furiously. The climax is reached when the artist rushes from the room and returns with a large tub of water and a pair of tongs. Seizing the sun as it soars in the air he plunges it into the tub, causing a great cloud of steam to rise.
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The film tells the story of the Moomin family's preparations for winter and their hibernation, interrupted by unexpected events: the appearance of the mischievous Nibling, a visit to Too-Ticky, who lives by the sea, the adventures of Little My, rescued by Moomintroll, the exploits of the Hemulen, a sports enthusiast, and so on. The story ends with the arrival of spring, the awakening of all the inhabitants of Moominvalley, and the return of Snufkin. The film is based on episodes of the television series "Moomin Stories".
Two estranged brothers return to their childhood home to find the will of their recently deceased father, what they discover there is much much worse.
Terra Incognita is a multi-plane cut out animation made from photocopies of 19th century illustrations made during the race to the poles and drawings by Eric Leiser. For the puppet performance it was flat-rod puppets on a proscenium stage with a screen behind them, onto which the animation Terra Incognita is projected. Many of the sea monster puppets and ships performed in sync with the animated ones, along with splashes of water and powdered chalk to mimic snowfall. These techniques came from my time studying puppet theater in Prague, in 2002, and learning from Svankmajer and Svankmajerova. It was a lot of fun to both animate and to perform live with Jeffrey's wonder score. At the same time the film comments on the colonial race to claim the Arctic by various countries—a race that, in a sense, is still going on today, but this time again for oil—and the murders of the Inuit people who had inhabited the land for millennia.
An unapologetic take on the vicious cycle of earning too little and consuming too much.
An unapologetic warning about how complacent we can be.
