TV movie about European energy policy
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Record high oil prices, global warming, and an insatiable demand for energy: these issues define our generation. The film exposes shocking connections between the auto industry, the oil industry, and the government, while exploring alternative energies such as solar, wind, electricity, and non-food-based biofuels.
Documentary film about the history of Oil prices and the future of alternative fuels. The film takes a wide, yet detailed examination of our dependence on foreign supplies of Oil. What are the causes that led to America turning from a leading exporter of oil to the world's largest importer?
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Forget all you have heard about how “Renewable Energy” is our salvation. It is all a myth that is very lucrative for some. Feel-good stuff like electric cars, etc. Such vehicles are actually powered by coal, natural gas… or dead salmon in the Northwest.
Two years ago, Josh Fox introduced us to hydraulic fracturing with his Oscar®-nominated exposé Gasland. Now this once-touted energy source has become a widely discussed, contentious topic. In his follow-up, Fox reveals the extreme circumstances facing those affected by fracking, from earthquakes to the use of federal anti-terror psychological operations tactics. Gasland Part II is the definitive proof that issues raised by fracking cannot be ignored for long.
Nuclear energy: a clean energy for the future or a risk for humanity? As the European Union has classed nuclear as a green energy, France is building new power plants whilst Germany is decommissioning them. An in depth look at the future of atomic energy in the coming decades.
Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”
Africa's development is being held back by poor infrastructure and undersized power plants. Countries like Uganda can only produce only 1/4 of the energy needed, leading to daily power cuts with disastrous economic impacts. It's a golden opportunity for nuclear giants who lobby aggressively for more power plants in Africa. But how safe are these new reactors? And what do they mean for the locals?
While doing a series of reports on alternative energy sources, opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicize the incident, but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret.
"Aurore, my friend, Aurore, the main actress of Rendez-vous d'Anna and other films of mine, our meeting, the why and how of our joint work". – Chantal Akerman
The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.
Relive the magic with hosts Art Linkletter, Bob Cummings and Ronald Reagan at the live opening day celebration. Broadcast on July 17, 1955 to a live audience of over 90 million people, tour every magical land in park, from the Disneyland Express to Sleeping Beauty Castle
Ts'oostsitsi is a Blackfoot word used to describe the past. Feeling responsible to continue storytelling in his family, Ike Solway recounts a powerful experience had by his grandfather. What follows is a story that echoes through generations.
A community of bowlers outside of Cleveland cope with fundamental change when new owners take over at a landmark alley and a longtime league member comes out as a trans woman.
Emotional portrayal of a man's relationship with his mother.
Aussie comedy legends roast an Aussie comedy Icon in this hilarious, no holds barred special.
A comprehensive and fascinating behind-the-scenes look at the restoration process of restoring 3-strip Cinerama for the 1962 film "The Wonderful World of the Brothers Grimm".
Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the unconventional stance of this media-shy modern musical genius, regarded as one of the true giants of post-war music. Seated at his beloved and battered piano in his Brooklyn brownstone the maestro holds court with frequent stentorian pronouncements on life, art and music.
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