A dancing skeleton.
Trailer
On a sunlit afternoon, a boy heads to the pond. He is hoping for some quiet time alone fishing for carp, but is joined by a puppy, ready to befriend anyone in his path. Even in the most peaceful moments, the pup can’t resist having a chat with the local frog and duck! When the puppy gets up to a bit of mischief, the boy is surprised by the outcome of his fishing adventure…
Yujin breaks her glasses and visits an optician. During an eye exam, she sees a house in a field and finds herself inside. There, she meets three shadow selves, reconciles with them, and gains a new perspective. Finally, she leaves the house and gets new glasses.
A happy little potter is approached by a huge hand which wants him to sculpt its statue. The potter refuses, wanting nothing more than to be left alone with his only friend, a potted plant. As the hand's request gives way to bribery, demands, and threats, the potter becomes more desperate to escape its clutch, leading to tragedy.
A young boy named Max who, after dressing in his wolf costume, wreaks such havoc through his household that he is sent to bed without his supper. Max's bedroom undergoes a mysterious transformation into a jungle environment, and he winds up sailing to an island inhabited by malicious beasts known as the "Wild Things." After successfully intimidating the creatures, Max is hailed as the king of the Wild Things and enjoys a playful romp with his subjects. However, he starts to feel lonely and decides to return home, to the Wild Things' dismay. Upon returning to his bedroom, Max discovers a hot supper waiting for him.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
A wistful little “story-spirit” rides the wind to a child’s doorstep and invites her on a whistle-stop tour through the Latvian seasons. Guided by a gentle water sprite, they drift from spring showers and blue-flower meadows to roaring Midsummer bonfires, stormy autumn seas, and snow-bright winter nights. The imagery—pastel cut-out shapes that melt and reform—visualises verses by the poet Aspazija, while Zigmars Liepiņš’s folk-inflected score (sung by Mirdza Zīvere) turns the whole trip into a lullaby on loop: every tale enchants for a moment, then must move on to the next open doorway. In the end the child waves goodbye, knowing the fairy-tale will return whenever imagination cracks the door again.
John Frum, Messiah of Polynesian Cargo Cults, returns as an astronaut and businessman to the postindustrial wasteland of the financial-service-economy. Embarking on a "conquest of the useless" things get confused and what begins as a journey becomes a trip beyond the boundaries of so called logic and meaning. Realised in beautifully crafted animation and innovatively rendered background art, the telling of this story is thick with atmosphere and celebrates a renaissance of the unconscious freed from the technocratic shackles of our times.
Once upon a time there was a milk cow who’d never been outside her farm. One day, with the help of a squirrel from the woods, she discovers a whole different life.
Mr. O. Verlast, a spruce man, can no longer stand the nuisance caused by people around him. A ball against his window, a caller in his train compartment: he tells them off with a roaring voice. In the end, the nuisance turns against him.
Spike has just put Tyke to bed for his nap when Tom and Jerry chase out the door to Tyke's crib, waking him up. This gives Tyke an attack of hiccups. Spike warns Tom not to wake him up again, which of course is all Jerry needs.
George gives Joan a baby duck for her birthday. While they are out celebrating, Tom goes after the duck, but his plans are thwarted when it (and, later, Jerry) finds a jar of vanishing cream and uses it to get even.
A wandering through the primal emotions of birth, motherhood, body, nature, metamorphosis and dance.
Popeye the Sailor, accompanied by Olive Oyl and Wimpy, is dispatched to stop the dreaded bandit Abu Hassan and his force of forty thieves.
Donald is washing windows on a high-rise; Pluto is his assistant, hauling the rope for the platform and refilling buckets but mostly sleeping. And when things are finally going well, Donald makes the mistake of tormenting a bee.
This short film continues the adventures of the title character as he tries to retrieve his elusive acorn.
Estranged from the rest of the townsfolk, an eccentric lady is haunted by ghostly whispers that grow louder with each passing day.
Mickey Mouse is working as a hot dog vendor at a carnival when he meets and quickly falls for Minnie the "Shimmy Dancer". That night, Mickey and a pair of alley cats serenade her by performing the song "Sweet Adeline", much to the dismay of Kat Nipp, who is trying to sleep. The short marks Mickey's first speaking appearance.
While at the riverbank looking for fossils, Rintarou meets a boy named Toshi, and their days of adventure begins.
A strange dog meets four orphaned sisters.
Based on the fairy tale by Hans Christian Andersen.
No Cast found.
