A lot can change in three years
A collection of memories from a tumultuous time at University.
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On the 45th anniversary of GrETUA – the Experimental Theatre Group of the University of Aveiro – photography and its subjects narrate a journey through the memories of generations upon generations who helped shape this space of learning and creation. "There is no birthday party, this is all a photograph" reflects on memory through the emotional language of these encounters.
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
Two friends dreaming.
In 2016, Aekaphong’s uncle was murdered in his house alongside his wife. A year later, Aekaphong returns to his hometown to investigate the man’s past and come to terms with his absence.
The experimental documentary filmed at rescue centres in Prague and Vlašim refuses the anthropocentric perspective and views the world through the eyes of wounded animals. The term Animot was taken over from Jacque Derrida. While the French philosopher and deconstructivist uses the term to refer to everything animalistic and non-human, the film, on the other hand, uses intimate details to point out the proximity between human beings and animals. They are connected by their vulnerability, helplessness and mortality.
A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
A walk in the woods become a metaphoric journey in Chloé Leriche's short film. As a solitary figure moves through the forest, the texture of stone, the movement of water, all the infinite pageantry of the natural world is captured in its richness and detail. With the help of an orchestrated soundscape and composed cinematography, Blue Suns catches the miracle and mystery of this world as it unfolds.
A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.
Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.
A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
Serial killer Aileen Wuornos writes down her darkest secrets for her best friend while on Florida's death row; now, for the first time, those secrets are revealed in detail.
Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.
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At Tsinghua University's campus, four people are standing at the intersection of their lives. Among them, there are those who just passed the college entrance examination, the first-generation of post-00 college students who entered their favorite universities with twists and turns , some are leaving their ivory towers, PhD graduates facing difficult choices and some have returned from the United States to enter Tsinghua University. Young teachers are full of "viewing the sky" ideal but face challenges, there are old academicians who still stand behind lectern after their retirement. The film tells the life ideals of the four Tsinghua people and the eternal youth that belongs to this university behind them.
Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
In this anxious and hectic time, Happy Life explores those unusual outlets that soothe the turmoil of the body and mind. In a meditative journey through these analgesic places, this documentary essay paints a portrait of a society in seek of meaning and relief.
Themselves / Sanger Rainsford / General Zaroff
Sanger Rainsford (voice)
General Zaroff (voice)
Himself
