27 years after 1962, Antoine returns to Algiers...
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At the outbreak of the Second World War, two friends, Mokrane and Menach, abruptly interrupt their studies and return to their remote native Kabylian village of Tagsa. While waiting to be drafted into the French Army they have time to woo. Mokrane falls for beautiful Aazi and soon marries her only to find out that she can bear no child. Menach, on his part, is stongly attracted to Davda, but the latter is already married to a rich merchant...Happiness does not seem to be in store for the two former students...
In Kabylie, rude mountain region in the north of Algeria. Arezki finds the young Larbi exhausted, buried under the snow. He takes him in and nurses him until he's recovered. The host seduces Arezki's daughter. She is pregnant. This is an unsupportable shame to the father of the female sinner. Arezki claims vengeance. He leaves his house and takes the oath not to come back before having killed Larbi who betrayed him under his own roof.
Set in the 1800s among the Berbers of North Africa, this 1997 Algerian feature concerns a noble widow who receives a customary purse of gold coins from the enemy tribe that murdered her husband; the gift puts her in conflict with her kinsmen, who want the money to buy back land taken by the enemy in cahoots with French colonials.
A legend that begins with the magic words: "Once upon a time." Once upon a time, there was a little girl nicknamed Mimezrane for her beauty and especially for her beautiful braids. She was beautiful but had strangely sad eyes. She was orphaned at a very young age. Her boyfriend and confidant was Hennouche, a mischievous little boy with big black eyes. They lived together a carefree childhood. Time passed. They grew up. Hennouche became a goat herder with a melodious voice; Mimezrane, for her part, became a washerwoman and, on occasion, a water carrier. Both accepted their fate without ever complaining. Yet, even in her poverty, Mimezrane was the most beautiful of all.
This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.
Frantz Fanon, a French psychiatrist from Martinique, has just been appointed head of department at the psychiatric hospital in Blida, Algeria. His methods contrast with those of the other doctors in a context of colonization. A biopic in the heart of the Algerian war where a fight is waged in the name of Humanity.
As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.
Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga
Ikach, is a farce in two acts in popular Arabic, written by André Sarrouy and adapted and directed by himself. A critique of marriage in colonial Algeria at a time when women were little taken into account. Cunning of women and stupidity of husbands, on an original soundtrack composed by Mohamed Iguerbouchène.
Omar, better known as Omar the Strawberry, is an old-fashioned bandit. Forced to flee to Algeria, he makes a living out of petty crime, accompanied by his famous sidekick Roger. After decades of ruling the French criminal underworld, they must come to terms with their new life together, which until now has been one of debauchery and violence.
In a village on the edge of the Sahara, Rima, a 19-year-old orphan, dreams of learning, of discovering, of living free while the men of the salt mine go on strike. The authorities react by sending the army, Rima decides to help the strikers by trapping the soldiers. Co-produced with the Office des Actualités Algériens and shot in the region of Téhouda, 50 kilometers from Biskra, this Franco-Algerian film is fully part of the cinematographic heritage of both shores of the Mediterranean. Bertuccelli adopts the technique of cinema verite, with non-professional actors from the village itself, giving the film a striking documentary texture and a rare force of authenticity. Carried by the moving interpretation of Leila Shenna in the role of Rima, the actor Krikèche and lulled by the music of Taos Amrouche, the film questions female emancipation, social resistance and the relationship with the territory.
In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.
Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.
Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
Meursault is a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder.
Film about Dahmane El Harrachi, musician, singer and composer of the famous song "Ya Rayah", a cult song covered by Rachid Taha, which will enjoy international success. Virtuoso of the banjo, the work of Dahmane El Harrachi did not initially respond to the canons of the purists of Algiers Chaâbi song. However, he will end up establishing himself alongside great masters of the genre, El Hadj M'hamed El Anka, Boudjemaâ El Ankis, El Hachemi Guerouabi, Amar Ezzahi... He plays his own role in this film shot with his musician friends, just before his tragic death in 1980 in a car accident on the Corniche of Algiers.
Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.
In the 1970s, groups of young Europeans ventured into the Sahara Desert with the intention of crossing it and experiencing “an adventure”. Unprepared, reckless and ignorant of the terrain they were crossing, they faced extreme situations with unexpected consequences. From the passion of these young people for adventure, the most famous rally in the world was born. “End of the Journey, Sahara” tells the story of one of these adventures.
In the midst of the Algerian liberation war, two characters, a meddah (traditional storyteller) and a guerrab (water distributor), having become aware of their subhuman condition in their own country, join the National Liberation Army (ALN) to fight against inhumane colonialism. They will climb the ranks to become political commissioners before falling on the field of honor, the first in a skirmish and the other in Barberousse prison (Serkadji) where he will be guillotined.
