a sentimental audiovisual collage from december 2023
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.
While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.
A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.
No overview available.
A series of lights flashed on screen in the form of 36 pictures and 3 videos, all contributing to a pattern.
After years away from each other, a mother tries to reconnect with her daughter.
Experimental short film by Josephine Massarella
Filmed in 2003 while staying in a Brooklyn Heights apartment, the work centers on a small Greek statue revealed in shifting morning and afternoon light. Beavers weaves these images with views of the East River and Manhattan Bridge, later completing the film in 2010 as a meditative elegy for his friend Jacques Dehornois.
In the solitude of night, the veil of reality slips away to reveal our deepest fears.
Tracing the faded time of those who once turned the pages Chŏng Yagyong(1762-1836)’s Chil Shil Gwan Hwa Seol (On Viewing Paintings from the Dark Chamber). In a dark room of their own, they steep tea, mend fragments with thread, and enfold them in bojagi cloth—crafting a cinema that was unseen.
Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.
Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.
Inverted lights dance through the nightosphere
1982. 15'50". A French black and white experimental film. Bloody, violent, and disturbing. Full production credits unconfirmed.
Slow disintegration and aging of artists head, revealing underlying bone structure. Created using old picture-phone technology. New music added in 2013.
