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London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.
In a small cockpit-like room, we see two young hip hop musicians from Tokyo giving birth to a beat: precision, patience and camaraderie hold sway, midway between an installation and sitcom.
A Celebration of Hip Hop through beatboxing and unique storytelling by the Legendary Biz Markie who rhymes while telling the stories of victims of injustice. CHAAW - Five interconnected stories highlighting victims of injustice. China, Hector, Africa, Ardnas and Wesley.(CHAAW) These are the stories of victims of Injustice in America. The effect of injustice not only impacts the individuals but also their families and community.
Morgan Jay's second comedy special recorded live at the legendary Village recording studio in Los Angeles.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
A look behind the scenes at the 1994 recording sessions for the acclaimed album of Julie Andrews singing the great songs of Richard Rodgers. Musical highlights in the film include: "This Can't Be Love," "I Wish I Were in Love Again," "The Sound of Music," "I Have Dreamed," and "A 'Waltz' Carousel."
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
While preparing for a show, a rock band called Retail breaks into an argument about the importance of art versus the importance of money.
This film follows the making of Nekfeu's 3rd album, between Paris, Japan, Greece and the United States.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Daichi Miura's concert film of his BEST HIT TOUR at Nippon Budokan on February 15, 2018 to conclude his 2017 national tour.
The first documentary film ever made about psytrance. It tells the story of “Drugless Festival”, better remembered in Israel as “Huga Festival” that took place in Ganey Huga, a water park in the North of Israel, for 3 days, back in the summer of 1997.
For fans of superstar Jessica Simpson, Dream Chaser is a dream come true. This video combines exclusive interview footage with behind-the-scenes clips of her electrifying videos and footage of her first tour in 2001.
The Bauls of West Bengal are nomad musicians who practice a traditional form of concert challenged by the increasing modernization of India. The term "Fous" here refers to those inspired and wandering musicians of Bengal known as Baül. The word Baül is derived from the Sanskrit word "vatul," which means "mad" in the sense that it commonly connotes a more or less frenetic behavior in French. The Baül are peculiar individuals, particularly in their mannerisms, customs, and practices. Although they may belong to either the Hindu or Muslim religion, the Baül refuse to be guided by any social or religious conventions. Freedom of spirit is their only guide. They thus move against the tide of habits, preconceived notions, and general theories. "Le chant des fous" (The Song of the Mad) is a film made by Georges Luneau.
"Legion of the Black" tells the visual story of the Black Veil Brides album "Wretched and Divine: The Story of the Wild Ones." The film follows a group of rebels known as "The Wild Ones" as they defend their hearts, minds and bodies against F.E.A.R., a futuristic new world order determined to capture and imprison the rebellious clan living in a survivalist desert camp.
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Mario is the guitarist of "Duck Fizz", a rock band from La Paz B.C.S. who seeks to achieve success through his own art. However, getting it means having to leave your city for a new home. A decision that modifies their entire environment and lifestyle, but that will also help them to find more opportunities to fulfill his biggest dream, live from music.
In depth look at the life and death of INXS frontman Michael Hutchence (1960-1997), who took his own life at an Australian hotel room at the age of 37 on November 22, 1997. Featuring interviews with his family, bandmates and friends such as Bono.
This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.
