A hero's dichotomy
The film explores the subject of organ donation through the lens of transplant coordinators, highlighting their role in the process of organ donation, retrieval and transplantation.
Trailer
We aren't dying the way we used to. We have ventilators, dialysis machines, ICUs-technologies that can "fix" us and keep our bodies alive-which have radically changed how we make medical decisions. In our death-denying culture, no matter how sick we get, there is always "hope." Defining Hope tells the story of patients dealing with life-threatening illness as they move between ICUs, operating rooms, hospice care and home. Diane is a nurse caring for end-stage cancer patients when she is diagnosed with ovarian cancer herself. 23-year-old Alena undergoes a risky brain surgery that destroys her short-term memory. 95-year-old Berthold lives with his elderly wife who struggles to honor his wish of dying peacefully at home. Defining Hope follows these patients and others- and the nurses that guide them along the way- as they face death, embrace hope, and ultimately redefine what makes life worth living.
Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.
Alana and Lori were just two LGBT 20-somethings looking for love on Tinder when a casual right swipe made a match that would bind them together forever. Within a few weeks of meeting, Lori learned that Alana suffers from Lupus and has been waiting on the kidney transplant list for years. The state of New York, where Alana lives, has the lowest number of organ donors in the country, and because of her complex medical background, her chances of finding a donor match were incredibly slim. Against all odds, Lori found that she was a candidate for donation and decided to give Alana the ultimate gift. If the transplant is a success, Alana will triple her life expectancy and be freed from nightly dialysis. But if it fails, Lori will go through risky surgery and lose a healthy organ in vain. BEAN is an emotional medical journey for two families that tests the true limits of love and sacrifice.
A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.
After a tragic series of events in his life, Rob discovers the over-the-counter drug known as codeine. The effects of the pill are so strong and addictive, that soon, Rob becomes dependant and consumes them daily. But the less he feels the more he misses, as his life degrades into a deep, dangerous, oblivion of bliss.
A movie about the education for nurse told from Bente's perspective. She starts at the preschool at Rødkilde Højskole at Møn and comes from there to a hospital, where student time begins. After three years, Bente is trained and can get the nursing needle attached to the robe.
A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.
We follow neurosurgeons Clemens Dirven and Arnoud Vincent of the Erasmus MC in Rotterdam in this documentary during the treatment of three patients with a brain tumor.
A small rural hospital in Japan battles an international cybercriminal gang that is holding them ransom with their stolen patient data.
Born 3 months premature and weighing only 1 pound 12 ounces, Mollie was given a 1 percent chance of survival. Through months of struggle, which included nearly one year in the neonatal unit of Grand Rapids, Michigan's Helen Devos Children's Hospital, Mollie proves that miracles happen. "Preemie" highlights the struggles, the pain of having a preemie, and the stories of how strong the smallest of babies are.
Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.
A symmetrically divided building: on one side, an important public hospital, on the other, a bewildering ruin. On the horizon, Rio de Janeiro, public health, education and Brazil’s aged modern project. Shot entirely in the monumental and only partially occupied modernist edifice of the University Hospital of UFRJ. A material metaphor of the Brazilian public sphere and its political maze. A synthesis architecturally expressed of the modernist utopia/dystopia.
As debate in Canada and the world rages over health care, Hospital City offers a moving, human portrait of the people whom the issues touch most closely.
No overview available.
At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.
What lies beyond the art of giving and receiving? Ellie, a liberal Democrat and kind-hearted masseuse, decides she wants to share the gift of life with a stranger. Five hundred miles away, Kathy loses hope of receiving a transplant until she hears from Ellie. Over the course of four years, both women face unexpected challenges.
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.
A subdued observation of daily life in a children's hospital. The driver of a delivery van regularly delivers clean linen to the wards where small, tense dramas of life and death are played out.
"Welcome to my life", Sylvie Hofmann repeats this sentence almost all day long. Sylvie has been a nurse for 40 years at the North Hospital of Marseille. Her life is running. Between patients, her sick mother, her husband and her daughter, she has always devoted her life to helping others. What if she decided to think a little about herself? To retire? Does she have the right, but above all, does she really want to?
Short Croatian documentary from the former Yugoslavia by Ante Babaja that captures the different faces in a waiting room.
Self
Self (Voice)
