A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.
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In the last rehearsal for an upcoming show, three dancers confront emotional and existential challenges as they struggle to create.
An experimental film revolving around how an artist perceives a man and a woman.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime.
Birth growing and gathering of a family which is not even an average one
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
An omnibus film based on Kim Oki's album Hip Hop Retreat. Twenty characters share the same table at different times, in different emotional states, each with their own story. Shot in one day, edited in one day.
A psychoanalyst helps a patient to achieve his ambitions.
To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)
An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.
While her mother is expecting their second child, young Thi befriends Ngoc, a club waitress who has just moved in as a tenant in their family home. As their friendship grows, she discovers that Ngoc is secretly a sex worker. Meanwhile, an art book of Tamara de Lempicka’s female nudes, stolen from a bookshop, silently bears witness.
The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A grieving artist seeks redemption in an unlikely place, her loved one's crime scene.
The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.
Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment, for self. The objects he touches - books, paintings - can be seen as icons of the creative spirit; there is also a motor cycle and film equipment. In succeeding scenes he appears to try on identities offered by institutional doctrines of religion and social traditions of (overt) masculinity. Much of the film was constructed in-camera with a small amount of editing afterwards. An innovation was the use of in-camera fade-outs as phrase markers, not as terminal points, within a single set-up or shot.
Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern
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