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19 years after the dropping of atomic bombs in Japan, the Olympic Games of 1964 took place in Tokyo. In the midst of the cold war, the games are supposed to become a symbol for a peaceful world. Especially the divided Germany is expected to prove this: By order of the IOC, both German states must participate in Tokyo with a joint team despite deep ideological rifts. The fact that athletes from both German states still had to compete against each other in order to form a joint team for the 1964 Olympic Games in Innsbruck and in Tokyo is all but forgotten. The film tells the story of the East-West German team of 1964 for the first time and is simultaneously a current document about the relation of sports and politics in international relations.
Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.
The Stammheim trial against the leadership of the first generation of the RAF was one of the most elaborate in the Federal Republic of Germany. Through this trial, Stammheim also became a place of identity for the RAF. The docudrama uses the perspective of Horst Bubeck, who as a prison officer in the cell wing had the most intensive contact with the prisoners, to shed new light on the history.
The residents of Bucha, Ukraine, are rebuilding their city from the rubble after surviving the horrors of Russian occupation. A newly married couple, a schoolgirl, a city official, and an elderly housewife have all endured the painful experiences of war, yet they manage to hold onto hope and solidarity. But how do you rebuild in the wake of growing trauma, especially with war still raging in your country? As time hopes for a peaceful life fade, they must grapple with mounting tensions within their communities. Shot over a three-year period, the film is a follow-up to When Spring Came To Bucha, as five protagonists navigate the complex terrain of inner conflicts, trauma, and a longing for justice, posing questions about the future of a society at war.
A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.
A mother and her son use the same video tapes to record themselves in parallel timelines, overlapping different impressions of the world. Images from the 1990s reveal to us a world still failing to solve the same old problems.
Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
Since her debut at the age of 18, musician, civil rights campaigner and activist Joan Baez has been on stage for over 60 years. For the now 82-year-old, the personal has always been political, and her friendship with Martin Luther King and her pacifism have shaped her commitment. In this biography that opens with her farewell tour, Baez takes stock in an unsparing fashion and confronts sometimes painful memories.
Documentation about the intra-German relations after the reunification.
Docudrama telling the story of a building with a breath taking career that began in the empire, flourished in the Weimar Republic, perished in the Nazi dictatorship, and was rebuilt after its partial destruction.
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It was arguably the deadliest conference in human history. The topic: plans to murder 11 million Jews in Europe. The participants were not psychopaths, but educated men from the SS, police, administration and ministries. The invitation to the meeting at Wannsee came from Reinhard Heydrich, head of the Reich Security Main Office. The Wehrmacht's campaigns of conquest in Eastern Europe marked the beginning of the systematic murder of Jews in Poland and the Soviet Union. In mid-September 1941, Hitler made the decision to deport all Jews from Germany to the East. Although there had been transports before, Hitler's order represented a further escalation in the murderous decision-making process. Persecution and discrimination had been part of everyday life since 1933. But as a result, the living conditions for the Jews in the Third Reich became even more difficult, among them the Berlin Jew Margot Friedländer, born in 1921, and the Chotzen family.
Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.
Six million Jews died during World War II, both in the extermination camps and murdered by the mobile commandos of the Einsatzgruppen and police battalions, whose members shot men, women and children, day after day, obediently, as if it were a normal job, a fact that is hardly known today. Who were these men and how could they commit such crimes?
Documentary about Kurt Landauer, the long-time Jewish president of FC Bayern München, who led the club to its first German championship, was persecuted and forced out of office by the Nazis, and rebuilt the club after the war.
The film talks about the rise and fall of the two most influential protagonists in GDR-politics. In succession, over long stretches even together, Ulbricht and Honecker determined the course of the GDR, of course without ever getting out of being a satellite state to the big brother in Moscow. The film looks for the caesura and crucial points in the power game between Ulbricht and Honecker.
Citizens of East Germany talk about their experiences and feelings in the face of upcoming elections that will lead to reunification with the West. The past is tinged with regret, frustration and anger, while the future is uncertain.
Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.
The destruction of the traditional legal system is probably one of the lesser-known yet essential goals of the Nazi state. The aim was to establish the supremacy of the "people's community" over the individual by subjugating the judicial system. The documentary looks at the careers of four people who were actively involved or became victims.
