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This film explores the consequences of the decisions we take and shows those things which really matter. After leaving his wife and children and promising he would be back, a man lives in a tent at a Mexico City park. There, he earns his living by selling balloons. After 30 years, he needs to fulfill his promise and return home. Will his family accept him back? Is he going to be able to change a life on the streets for the comfort of his home?
In this modern, coming of age documentary, Naomi, Jojo and Arham grapple with economic divides, gender roles, and family dynamics while competing in the fastest growing high school sport in the country: girl’s wrestling.
Liron (29) and Liel (27) are inseparable. When Liel's mental health lapses, Liron starts documenting her sister's struggle. A drunk night out and hospitalization in psychiatric wards put their relationship to the test and uncovers the depth of the pain they carry. In an intimate and intrusive documentation, we are allowed a glimpse into an invisible person dealing with trauma.
Embracing a temporary visual impairment, a filmmaker immerses in her family’s 1990s home movies, composing a narrative that reimagines her father’s vision. They reconnect in the present, amid vulnerability, awkwardness and love: the story of a gardener and a one-eyed woman.
A father exits prison and tries to integrate with his two children and girlfriend while living in a halfway house and on parole.
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A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
An original and compelling documentary depicting one father’s long-term struggle with heroin addiction told through the uniquely intimate perspective of his own son. After years of acrimony and estrangement, young filmmaker Phillip Wood seeks out his father to try and understand what’s happened to him. But his father is now seriously ill and over the next few months Phillip’s visits force both to confront some uncomfortable truths about their past. This documentary offers a strikingly stark exploration of a subject that significantly affected the filmmaker's childhood. An intimate, revealing documentary that shows addiction from a different side and challenges assumptions about how families can rebuild their broken relationships.
Hidayet Usta is a shoemaker in his early 80s who has made a living repairing shoes. Having separated from his wife years ago and with a strained relationship with his children, Hidayet lives alone, but contentedly in his own world.
A Danish family travels to Brazil to say goodbye to their mother, who passed away six years ago. But things don't quite go according to plan. Can the father and the two adult sisters reach each other and talk about loss, life and death?
Exploring the memories and experiences he had growing up, a son talks to his parents about how he felt mainly living with his mother while also visiting his father here and there who now had his own separate family.
A brother and sister discuss domestic violence that has occurred by looking back at family photo albums.
Annedore takes care of orphan birds. They give her that which humans througout her turbulent life could never give her: love.
When my mom wants to burn all her wedding photos.
A silent day unfolds on the slope of a mountain… A child exists alongside his mother and father, yet each of them seems to inhabit a different world. With no dialogue, the film relies on visual storytelling. In certain close-up shots, color fades to black and white; symbolizing moments of inner solitude, personal conflict, and emotional disconnection. The unseen distances within the family are revealed not through words, but through images.
The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.
Growing up in a small rural farm town in the early 1950's, sixteen- year-old Jimmy Hoffer, and his two siblings do their best to survive poverty and a crumbling family unit.
Yutaka was fourteen years old when he was run over by a car and fell into a coma. Now, ten years later, he wakes up and realizes that his family is not intact anymore: father, mother and sister live at different places. Yutaka decides to re-open the pony farm that his family once ran.
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