Dolby HD Demo Trailer: Conductor Dolby True HD 7.1 Atmos
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The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
We went back into The Doors' footage vault and restored the original concert film of their legendary Hollywood Bowl performance to high-definition video with a 5.1 stereo surround mix! Get a glimpse into the process of restoring the picture and sound.
The Sounds of New York shows one day, from sunrise to sunset, in the life of New York City. The images and sounds are characteristic of the city. There are statements from New Yorkers met by the director and filmmaker met and interviewed along the way to learn about their lives and work in the city.
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
Cranes and Voices explores the evocative power of sound through the experiences of people who hear voices and a collective of sound investigators, tenants documenting their neighborhood. By bringing together listening experiences, housing, and creative practices, the film approaches sound as an ambivalent force, questioning our ability to listen—to the city, to others, and to ourselves.
This documentary depicts two young adults discussing their relationship with sound and silence.
A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min
This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.
A documentary that invites the viewer to immerse themselves in a intimate and thoughtful walk through Poblenou Cemetery in Barcelona, better know as "El Santet", to see what is happening at its surrounding areas and, especially, inside: work, buildings, people watching over those who are no longer here, cemetery workers... A trip through a space that is closer than we think.
From high up in the glacier-carved mountains of Northern Spain, towards the Atlantic Ocean in the cities of Porto and V.N.Gaia in Northern Portugal. A journey through a river and through sound.
I close my eyes and dream in rivers of light. Memories wash over me, sensations of light and sound.
In an age where silence is complicity, Muslimgauze: Electronic Intifada resurrects the haunting pulse of Bryn Jones—the Manchester-born musician who devoted his entire life to the Palestinian struggle without ever setting foot in the Middle East. Through the voices of his publisher and best friend, Geert-Jan Hobijn, Turkish musician Ekin Fil, and Turkish author Şule Demirtaş, the film traces Jones’s obsessive solitude and commitment in the studio, where he crafted a sonic battlefield of noise, resistance, and distortion. Postbellek's short documentary Muslimgauze: Electronic Intifada unfolds where the political collides with the artistic—a visual translation of noise into awakening. Confronting the uneasy intersections of politics, art, and representation, it is not a eulogy but a provocation: a reminder that resistance can echo louder than words—and sometimes, from the most unexpected corners of the world.
Deep underground, Alexandre follows voices and sounds, leading him to a lost woman.
At the Saarland Modern Galerie in Saarbrücken, Germany, songs from Unfurl, Asaf Avidan's new album, blend with masterpieces from a contemporary art collection that is as socially conscious as it is inspiring.
