An acting teacher is evaluating his student in a rehearsal, both with hidden intentions.
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Guillermina and Belinda, childhood friends, are spending their final days together in their apartment in Buenos Aires.
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Documentary portrait about Adrián Muoyo, the head of the Library at the ENERC.
Iván Haidar is a performance artist who investigates his own daily behaviors and brings them to the stage. His desire for experimentation is contagious to the crew, which seeks to portray the artist in the virtuality imposed by the pandemic.
Layla and Martín are "Los Champions", the legendary Truco duo with the most titles in the famous Villa Crespo tournament. But their indisputable skill is put in check when Juani discovers they have cheated in the last final. The legendary champions cannot allow their reputation to be tarnished in this way, and they kidnap Juani with the intention of silencing him forever. Citing their honor as players, Juani proposes the only possible resolution to this conflict: a Truco game.
On a dark night, Mabel follows a pink creature that stalks the town's young girls. As danger approaches, she discovers that she is connected to the being in a disturbing way. Can she escape before her grandmother and the town discovers it? A disturbing short film made in 16 mm.
A short documentary about the backstage of a first-year internship with 2/3 of the school's workers excused
Photodocumentary about the ESMA tragedy.
In the heart of the city of Buenos Aires, amongst the grey of the cement and the noisiness of the cars and buses, everyone seems to look down. Even the cameras put there to watch the people’s every move. But, what happens if we finally decide to look up? What’s coming after the clouds?
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Lightning streaks through the skies as Dalila declares her love to Samson in one of the finest arias of romantic opera. “My heart awakens to your voice like a flower to the kiss of dawn.” An enchanting yet treacherous beauty… When the thunder at last rumbles, Dalila betrays Samson and offers him up to his enemies: “Come up, for this time he has shown me all his heart”, she whispers to them in the night (The Old Testament, Book of Judges). Based on a violent and erotic biblical story, Saint-Saëns’s opera – composed in 1877, much to Liszt’s insistence – would not be performed at the Palais Garnier until fifteen years later. This first Parisian performance in 1892 included the hitherto unperformed “Dance Of The Priestesses”. Nevertheless, it became one of the most performed French operas in the world, together with Faust and Carmen. Conducted by Philippe Jordan, this new production brings back a repertoire masterpiece that has not been performed at the Paris Opera for twenty-five years.
A quiet and put-upon house cleaner breaks her silence.
