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A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
A group of young friends on a camping trip, deep in the South African countryside wake up to discover they have all swapped bodies.
For the Love was created by brothers Brendan and Todd Wells, documenting their endless adventure around the globe in search of whitewater and waterfalls. As expedition kayakers at heart, the brothers and their many friends explore rivers around the world that have never been descended before in a kayak and where few humans have ever set foot near. The film highlights the struggles and rewards of discovering these new rivers, as well as features elite paddlers in the sport pushing the limits of gravity and the human body. From hacking through the dense Ecuadorian jungle with machetes to strapping kayaks to the bottom of small Alaskan bush planes, these kayakers do what others wouldn't to explore the most difficult and remote whitewater in the world.
Jesus, who's hitting the big 3-0, brings a surprise guest to meet the family. A Christmas special so wrong it must be from comedians Porta dos Fundos.
Adelaide and Virgínia met in 1937, a year after the German arrived in Brazil, fleeing the Nazi persecution of the Jews, where she came with her husband and two daughters. Together, they founded and popularized psychoanalysis in Brazil, breaking down barriers and prejudices. They were doctor and patient for 5 years, colleagues for more than 30 years, great friends their entire lives.
I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.
Once a dream wove a shade, and pitying I dropped a tear. But I saw lights near, that light the ground while the soul wanders.
After starting at an upmarket boarding school, a teenage girl forms close friendships with her two older roommates. However, when she discovers that her new friends are lovers she finds herself caught in a complicated situation.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
BURNING MAN: BEYOND BLACK ROCK goes behind the scenes of a social revolution to explore the philosophy that fuels it, the social contract that drives it, and the transcendent experience that makes it a worldwide cultural force. Granted unprecedented access to the inner workings of the Burning Man organization, the filmmakers spent 18 months with the founders, organizers, artists and participants to document the full complexity and diversity of the Burning Man community. But, true to its title, the film goes beyond the city they raise in the desert - revealing the Burning Man's plans to bring its unique culture to the rest of the world. BEYOND BLACK ROCK tells, for the first time ever, the real story of Burning Man - from the inside out.
When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.
An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same.
Second part of the Elements series with the motif of "water". A beautiful swamp image is displayed at the beginning. An allegorical story of sisters and lovers living at the bottom of the water is developed in an experimental narrative that does not depend on dialogue. Aesthetic images and music highlight the dazzling atmosphere.
A tutorial about guided meditation. Throughout the project, the spectator is invited to follow a series of steps that, if done well, will take them to a calm and tranquility state.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Edward Said's book Orientalism has been profoundly influential in a diverse range of disciplines since its publication in 1978. In this engaging and lavishly illustrated interview he talks about the context within which the book was conceived, its main themes, and how its original thesis relates to the contemporary understanding of "the Orient" as represented in the mass media. "That's the power of the discourse of Orientalism. If you're thinking about people and Islam, and about that part of the world, those are the words you constantly have to use. To think past it, to go beyond it, not to use it, is virtually impossible, because there is no knowledge that isn't codified in this way about that part of the world." -Edward Said
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.
While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.
Two Berlin archetypes - Harald Juhnke and Günter Pfitzmann - convince in this touching big-city fairy tale in insistent roles as typical Berlin characters with everyday wit, temperament and improvisational talent.
