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No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”
A tourist's view of Ontario, with magnificent visuals of the province's lakes and rivers, and a delicious hint of easy summer days, vacations, and boating. Viewers fish for salmon, idle their boats through the locks, and watch sailboats and steamships travel the Great Lakes against a background of granite rock and craggy coastlines.
The Text Allows No Interpretation is a personal essay documentary displaying the director’s conversation with his trauma in a stream of consciousness. The moments in photographs and videos are set in temporal disarray, meeting the superimposed phone calls speaking to and around the trauma from the past. The ever-present noise of repetition is created through jumps between memories of fear and death during the decade-old Arab Spring to insomnia and anxiety emerging through the footage of NATO military exercises on the borders of Russia.
A highly secure conference centre, nestled in the mountains. Hugo Radi combines a creative way of filming this locus of power with two fictional voice-over accounts to construct a dystopian world with real contours. This speculative film seems to draw inspiration from the most frightening elements of our contemporary societies.
Welcome to the Private Life of Kyle Ross. In this intimate documentary, you'll get to know the boy behind the star. From his corporate gig at Helix Studios to the dissolution of his high profile relationship, nothing is off the table. Intent on bending stereotypes and gracefully aging in an industry that celebrates youth, Kyle shares the work that goes into maintaining an image while simultaneously shedding it. After all, he's always enjoyed a contradiction.
“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.
On March 30, 2022, Barcelona and Real Madrid's rivalry was at the forefront of football. But this time, it was the women's teams who were centre stage as they played out a seven-goal thriller in front of a world record crowd of 91,553 fans.
A couple of dolts lost in the woods get stalked by a lunatic obsessed with John Stamos.
”I haven’t been in love with any of the men I have been with. I don’t know what love is.” A 66-year-old woman examines her life. We see her memories take shape through bizarre experiences at night clubs and during hotel nights spent with strangers. Those have not provided any comfort or safety for her. Rag dolls by artist Pauliina Turakka Purhonen portray the woman at the ages of 3, 5, and 60.
Short subject on how fashion is created-- not by the great couturiers, but on the street.
Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.
Stylised, bloody and intimate tour of a young woman’s destructive thought patterns and a radical reconsidering of the idea of the suffering artist.
This film portrays activity in Grand Central Market in Los Angeles, California. Highlighted are vendors that represent the melting pot that is America, selling their wares to people of all ages and all walks of life. The film was directed by William Hale. Notably, the film also showcases some early work of famous cinematographer, Haskell Wexler.
How does mobility reflect social status and racism? A story of two African American women working to provide and improve mobility in their community, as they tell the history of the Safe Bus - formerly the biggest black-owned transportation system in the world.
A documentary about socialising and society in early 1970s New Zealand.
Shows images of refugee routes along the Swedish-Norwegian border.
«All my mom’s teeth fell out, I’m only going for about three months and I return» was what Pancho dreamed of fulfilling when he crossed the US border without papers, but an accident during the trip transformed his life and his aunt Margarita.
As Singapore dredges sand from beneath Cambodia's mangrove forests, an ecosystem, a communal way of life, and one woman's relationship to her beloved home are faced with the threat of erasure.
This BBC Three film follows the first all Asian girls’ cricket team over the summer holidays as they train for their last ever tournament together. The team started at school four years ago when their only experience of cricket was their dads and brothers watching it on the TV. In spite of this, they took to it like naturals and began winning almost all of the tournaments they entered. Last year they lost out on becoming National champions at Lords by only one run.
Film produced and directed by Ricky Leacock, Edward Pincus, and MIT Center for Advanced Visual Studies documenting the Centerbeam kinetic sculpture project and its first installation at documenta 6 in Kassel, Germany in 1977
