Once a year, people from different marginalized communities meet together in the woods to delve into the art of circus and have this discipline become a common way to express themselves, away from the city.
A Documentary on the Creation of OVO, by Cirque du Soleil
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Race/America follows Robb Holland, one of the few Black professional race car drivers in the United States, as he fights for the GT America Championship behind the wheel of a Ford Mustang. After decades of breaking barriers in a sport known for its lack of diversity, Robb builds his own team—Rotek Racing—bringing together a dynamic, multicultural crew that reflects the change he wants to see in motorsports. This high-octane documentary takes you beyond the track and into the heart of a season-long battle, offering unprecedented access to one of the most diverse teams in the paddock. Race/America is a story of speed, grit, and the drive to make history.
Eighteen-year-old Aaliyah flies on aerial silks. Her 16-year-old cousin Bre twirls on hoops. They dream of escaping the violence that marred their young lives. Their possible ticket out is the after-school program Trenton Circus Squad. Now that Covid-19 has changed everything, will the circus and the girls’ dreams survive?
Inclusive Nature is a short film that addresses the theme of social inclusion through the beauty and simplicity of nature.
While writing a book on the circus, author John Shawcross reflects upon the great acts he has seen over the years and the mystique of circus people. He recalls the solo trapeze act of La Mara; Tarzan, Sahib, and their elephant; Marco's sword-balancing act; an archery act in which Grey Arrow shoots an apple off the head of Zuni, his wife; the Mascott Sisters' head-to-head balancing act on a high ladder; the juggling of Rudy Cardenas; high bar specialists, the Tongas; Gunther Gebel Williams with his tiger; the flying bar act of the Laribles; Carl Sembach-Krone's trained horses; lion tamer Pablo Noel; the Gaonas and the Four Titos on the trampoline; the Flying Armors on the flying trapeze; Frieda Krone and her elephants; Fredy Knie, Sr., and his Lippizaner; the Francesco Clowns; Lilly Yokoi on her bicycle; Mendez and Seitz on the tightrope; and Pauline Schumann on the trick horse.
Cirque du Soleil presents KÀ, its new epic tale, an unprecedented theatrical production now playing at MGM Grand in Las Vegas. See what lies behind this theatrical adventure by plunging into KÀ Extreme! The documentary explores the journey of a remarkable production by following the show's evolution from early rehearsals through to its first public performance. KÀ Extreme exposes the unique creative process and demonstrates how a team of creators managed to turn inspiration into reality!
Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.
Tucked away in northern Indiana, the city of Peru, Indiana is the circus capitol of the world. Thousands of visitors and townspeople come to this town for two weeks to see the annual amateur circus. Performed by only the local kids, fueled with the rich history and culture of the circus in Peru, this show is anything but amateur.
After being diagnosed with borderline personality disorder, a young mother writes a letter to her daughter about their family’s collective journey to acceptance.
French filmmaker Laurent Chevallier always wanted to make a documentary on an African circus, but there were no native circuses on the continent. So Chevallier decided to help found a circus in Guinea. 36 young people were chosen from the city of Conakry to participate in what would become Circus Baobab. A group of French circus artists were imported to train the participants for 2 years in acrobatics and trapeze. Then the group took their show on the road. This film is Chevallier's account of the troupe's inaugural tour in Guinea, from March 1 - April 11, 2000.
When one thinks of the American Deep South, the image of veiled Muslim students strolling the University of Alabama campus is the last thing that comes to mind. VOICES OF MUSLIM WOMEN FROM THE US SOUTH is a documentary that explores the Muslim culture through the lens of five University of Alabama Muslim students. The film tackles how Muslim women carve a space for self-expression in the Deep South and how they negotiate their identities in a predominantly Christian society that often has unflattering views about Islam and Muslims. Through interviews with students and faculty at Alabama, this film examines representations and issues of agency by asking: How do Muslim female students carve a space in a culture that thinks of Muslims as terrorists and Muslim women as backward?
This documentary is about the Italian small family circus, based on the old street theatre of the Commedia dell'Arte. Since World War II, they have diminished in number and today hardly exist anymore. They simply can't compete with modern times entertainment, symbolized by television. The film portrays and follows the Colombaioni family, six brothers and two sisters, their children and grand children. Most of them work in their own small circus(father, mother, children). Two of the brothers, Carlo and Alberto left the circus and now have a theatre show, based on their improvisation skills that they learned in the circus. The family is known by their collaboration with Frederico Fellini and Dario Fo. They appeared in many a Fellini movie -o.a. La Strada, Le Notti di Cabiria and I Clown.
A story of the world's first female tiger trainer who claimed her love for her tigers was so great she wanted to die in the ring. Raised in poverty in Kentucky, Mabel Stark joined the circus in 1911 and became the first woman to train tigers, earning the center ring despite being told that women couldn't work the big cats. In a 57-year career, she headlined shows with Ringling Bros and Barnum and Bailey, survived multiple maulings and marriages, starred in Hollywood movies, and managed up to 20 cats by forming intimate relationships with each, rather than using the whip. Her life ended tragically just outside of Jungleland in Thousand Oaks, CA, and her legacy and the golden era of the American circus is recounted by former animal trailers, performers and historian Janet Davis, with Mabel's voice, from her memoir "Hold That Tiger", provided by Oscar ®-winner Melissa Leo.
The documentary “Pagliacci” celebrates – in a poetic way – what it means to be a clown. The film addresses philosophical and symbolic questions about man’s need to laugh at himself. In a sensorial and emotional mix, the film starts from what is most human and true: laughter.
Neirud died shrouded in mystery, leaving behind no trace of her past. Confronting family secrets, the filmmaker pieces together the life of her enigmatic aunt, who toured Brazil as a wrestler in an underground all-female circus troupe throughout the 60s and 80s. As she investigates Neirud's controversial ring persona, Gorilla Woman, the filmmaker uncovers a taboo-breaking love story, revealing the surprising nature of Neirud's role in her own family.
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