A teacher tells a student the story of five cowboys that find what could be the key to saving their ranch.
Ryder
Bella
Gunner
Sawyer
Carla
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Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
While none of these cowboys believe in vampires, bloody proof mounts until the gun-slinging "Miss Billie" and the sheriff are the last two standing.
A young Navajo man performs a ritual related to the moon.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff.
In this story the young wife concerned is called upon to solve a rather momentous question. After separating from her husband, whom she has discovered to be a brute and a criminal, she is about to give herself to another man, believing her husband dead, when he appears before her fleeing from justice. Shall she deliver him to the law or surrender to his claims? She yields in one instance, but not in the other. Then justice intervenes.
During the raid on an emigrant train the girl and her brother, the only survivors, are attacked by the villain who kidnaps the girl and takes her to the camp of Calamity Anne, who takes a liking to the girl and becomes her guardian angel. The girl's brother is killed and a ranger takes the locket containing the girl's picture from his neck and recognizes the girl in Calamity Anne's camp. Later, Calamity Anne holds the villain and his band at bay and the girl and the ranger make their escape. The girl and the ranger come to the spot where the girl's brother is buried and here she asks the ranger if he is going to leave her there alone. His answer is to take her into his arms.
Ben (Glenn Ford) and Marion (Henry Fonda) are two cowboys who make a meager living breaking wild horses. Their frequent employer Jim (Chill Wills), who always gets the better of them, talks them into taking a nondescript horse in lieu of some of their wages. Ben finds that the horse is un-rideable, he comes up with the idea of taking it to a rodeo and betting other cowhands they cannot ride it.
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
Two figures encounter one another in an alleyway.
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The story involves Arbuckle coming to the western town of Mad Dog Gulch after being thrown off a train and chased by Indians. He teams up with gambler/saloon owner Bill Bullhum, in trying to keep the evil Wild Bill Hickup away from Salvation Army girl, Salvation Sue. Fatty and Buster have a series of adventures trying to beat St. John, until they discover his one weakness: his ticklishness.
This satirical parody of William S. Hart's melodramatic films finds Buster in the frozen north, "last stop on the subway." He uses a wanted poster as his partner in robbing a gambling house. When he thinks he spies his wife making love to another man he shoots them both only to learn it isn't his cabin after all.
Years after their "City Slickers" narrative was retired, Westworld hosts Mitch and Phil are still happily driving cattle, however Mitch has started to malfunction and it's up to Stubbs to analyze why he has gone off his loop.
