Juana prepares a paella as she does every Sunday surrounded by her family. The news of her husband Pepe’s retirement turns one more celebration into a heavy burden.
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A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.
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A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad-school. There she meets many self-confident women who help her find her own voice.
Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the help of their female colleagues, they want to improve their work conditions.
Yvonne loses her mind and confuses her teenage granddaughter, Manon, with her deceased daughter. Manon plays the role of the mother she never knew, reviving her grandmother's years of feminist activism. In this troubled game, Manon will learn to become a woman.
In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.
Early 80's, Sara is a good-family girl, she has never been with a man, does not drinks, does not take drugs. Following her love, she enters in "El Calentito" a bar where the group "las Siux" is singing.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
On the banks of the Vistula River, a mermaid, and a bar matron face off against gendered power. Through an emblematic confrontation with a young fisherman, they tear at the net of prevailing misogyny.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
A father of a family becomes involved in the crime of money laundering. Stressed by illegal businesses and the constant questioning of his wife, he will decide to take a break from the mafia, without knowing that it is impossible.
Madison Young, a queer gallerist and sexual revolutionary, returns to Southern Ohio to confront her past, conservative family, and emotional landmines with her partner James.
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.
